Rare photo of Carl Nielsen discovered


From BBC Radio 3 website. More on the cult of the presenter here.

Also on Facebook and Twitter. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

Comments

Pliable said…
This sketch on YouTube sums up the new and accessible BBC Radio 3 very neatly -

http://www.youtube.com/watch?v=OQnd5ilKx2Y
2:30 pm
Philip Amos said…
Oh, ye Gods. This comes also within the ambit of the sense of history, the look of it, the feel of it, the smell of it, the apprehension and comprehension of it. I've said elsewhere that the failure any longer to teach history and teach it well is a catastrophe (back in the news last week) and my thoughts on it are not just the bletherings of an ageing history professor. Here we have an example of the preponderant ignorance and dismissal of history, and beyond a doubt there are now people wandering around thinking that's what Nielsen (whose concertos I was listening to on the weekend by chance) looked like.

Here we have an example of the failure to show visually whence came our music and how the whole of it came to be. A small matter, of course, for young people now go out into the world almost nescient about how the world as we know it came to be and how they themselves might find a place in it, for they were never properly taught such in the years of their 'schooling'. I'm an ex-pat retired historian who sometimes dreams of the A-Levels of yore (my yore). I kid you not that one september three decades ago, I started the first tutorial of a first-year European history course
by asking someone, anyone, to tell me what they knew about Hitler and Nazism. Nothing - not one could tell me anything at all.

I hope no one is asking what the hell that photo has got to do with history, for it has everything to do with it, including the fact that there are now people thinking Nielsen looked like an avuncular, bearded Scot with a shirt and photographer way ahead of their time.
8:59 am
Pliable said…
On a related point, further "improvements" to the BBC Radio 3 schedule, in particular changes to the breakfast programme, have caused considerable controversy recently.

The description "Radio 2.5" has achieved widespread currency in connection with this and other changes. When I read that description while travelling last week I had a feeling that it originated On An Overgrown Path some years ago. My feeling has been confirmed by a poster on the independent BBC Radio 3 forum -

http://www.for3.org/forums/showthread.php?3294-Brian-Sewell-joins-the-throng!/page2

Here is my 2006 post, which was somewhat ahead of its time -

http://www.overgrownpath.com/2006/12/bbc-is-performing-badly.html
11:46 am
Pliable said…
Do I have the doubtful honour of providing the Daily Mail with a headline?

http://www.dailymail.co.uk/news/article-2039794/BBC-Radio-3-Breakfast-Radio-2-5-say-listeners.html
1:47 pm
Philip Amos said…
I do believe you do have that dodgy honour, Bob. One might say it puts you in dubious company, but so does everything these days, up to and including getting a knighthood, musical ones not excepted.
2:17 pm
Pliable said…
Philip, musical ones most definitely not excepted -

http://www.overgrownpath.com/2008/01/great-music-making-doesnt-need.html
2:27 pm
Post a Comment

Recent popular posts

Travels beyond TripAdvisor

Image
These photos were taken on my recent spirit quest in Morocco to the Sufi shrine of Sidi Chamharouch, which is seen above. A 75 minutes drive from Marrakech brought me to Imlil where the road ends and the mountains begin. The hamlet of Sidi Chamharouch - which is one of those blessed places which returns a blank in a Trip Advisor search - is at an altitude of 2350 metres and is reached by a tough and potentially dangerous two hour climb up a rocky path. Access is impossible for wheeled vehicles and supplies are brought in by the mules seen in my photos. Beyond Sidi Chamharouch is Jebel Toubkal, which at 4,167 metres is the highest mountain in North Africa. During my trek I was struck by the similarity between the High Atlas and Ladakh on the border of India and Tibet . Film director Martin Scorsese was also struck by the similarity. With Tibet a no-go zone he used this region for location shooting of his 1997 movie Kundun ; this depicts the Dalai Lama 's flight into exile fro...
Read more

Classical music's biggest problem is that no one cares

Image
These photos were taken by me in 2008 at independent record retailer Prelude Records in Norwich. Jordi Savall's impromptu viol recital and signing session preceeded two performances at the Norfolk and Norwich Festival. One was a solo recital by Jordi in Peter Mancroft Church ; the other was an immensely moving performance of his visionary Jerusalem multicultural project at the Theatre Royal*. As reported here Prelude Records closed earlier this year; it was a victim of predatory online retailing, and today its premises stand empty awaiting occupation by a mobile phone or E-cigarette retailer. The Norfolk and Norwich Festival has been the victim of savage funding cuts , but continues in a more modest form due to the dedicated work of its small management team. A few days ago I wrote about a two-thirds empty Snape Maltings concert and proposed that classical music's heartland is facing a perfect storm caused by the convergence of the shifts in consumer tastes and the r...
Read more

Audiences need permission to like unfamiliar music

Image
That photo of Sir Malcolm Arnold and Julian Bream appears on the late composer's website . Ten years ago I was literally very close to Sir Malcolm's music. He spent his final years being tended by his carer Anthony Day in Attleborough just a few miles from where I live in Norfolk. I managed Sir Malcolm's website and one of my first posts  about his music dates from that time. Following Sir Malcolm's death in 2006 I never lost my appreciation of his music, but it featured less frequently in my listening. However, recently I have returned to his symphonies, and listening to them again has raised some important questions. His nine symphonies are the product of a master craftsman. They move forward from Mahler and Shostakovich, yet should be immediately accessible to contemporary audiences saturated in the music of those two composers. But, despite this, Sir Malcolm Arnold's symphonies remain unknown outside a small circle of admirers. Why? Let me make it clear ...
Read more

The purpose of puffery and closed-mindedness

Image
Two contrasting responses from America to my post Third rate music on Naxos' American classics? Flinging merde - ' Granted some of the stuff that Naxos has packaged in that series has been less than distinguished but operating in a cultural establishment where critics treat every cow patty ever dropped by the likes of Alwyn (above) and Bax and Finzi and Michael Tippitt (sic) as if it were fois gras, Clements is hardly in a position to fling merde' - from Sequenza21 , and I'm sure Norman Lebrecht would approve of that misspelling of Tippett. The true beauty of the effort - ' Personally speaking I expect listener reaction to concert music is heavily dependent on emotional mood and cultural/historical context . The concept of "ratings" and "tiers" for composers is pretty much an over-rated specialization of critics, which serves the purpose of puffery and closed-mindedness. My father is the American composer George Frederick McKay (photo be...
Read more

Critical Mass

Image
I'm a big fan of Marin Alsop . But last night her BBC Prom performance with the Bournemouth Symphony Orchestra playing her own sequence of the suites from Prokofiev's Romeo and Juliet was strangely unsatisfying. Tempi were pulled around, and rather than adding to the tension the wayward performance weakened it. When it finished I wanted some 'in your face' music making that was over the top, but which really worked. So as Marin Alsop was a pupil of Bernstein's I put on his 1971 recording of his own Mass , a work I don't listen to very often. Is Mass Bernstein's unrecognised masterpeice? Or is it a failed experiment in using the vernacular and exploiting street chic? (But wasn't the 'parody mass' a legitimate renaissance musical form which exploited contemporary music such as L'homme arme ?) My view used to be that Mass was simply a failed experiment, but I have to confess I am slowly moving towards the view that it may be a misunderstood m...
Read more

Who am I?

Image
While researching another post I came across, completely by chance, a perceptive appreciation of Leonard Bernstein's Mass. The following was written by a well-known musical figure. But who was it? Answers please to be added as using the comments feature at the foot of the post. I'm interested to see if anyone can correctly identify the author as the tone of the piece is quite surprising once you know who wrote it. On Friday I'll add the next section that the mystery author wrote, which should make the answer clearer. "Kennedy Centre opened on September 8th 1971. The opening of the Opera House preceeded that of the Concert Hall by one day with Leonard Bernstein's Mass, written for the occassion. The work made a deep impact upon the emotionally pre-charged audience, not least because of the re-emergenceof the Kennedy name and the Kennedy tragedy. This worked-up state of mind of the public was, perhaps, detrimental to a true appreciation of the work, and the fixed da...
Read more

Third rate music on Naxos' American Classics?

Image
I'll be interested in American readers' reactions to the start of this review by the Guardian's Andrew Clements - ' Considering how much third-rate music has been included in Naxos's American Classics series, Elliott Carter has so far been poorly served by the budget-price label. But in the year of the composer's 100th birthday, this - the first of two discs that will include all five of Carter's string quartets - could be the start of a major addition to his discography.' Andrew Clements then goes on to write a glowing five-star review of Naxos' new CD of Elliott Carter's String Quartets Nos 1 and 5 performed by the Pacifica Quartet . I'll agree whole-heartedly with his verdict on the Carter Quartets, I bought them last week and they are superb performances of superb music. But I am not so sure about his other views. That judgement of 'third-rate music' raises the interesting point of should a critic focus primarily on the interpr...
Read more

Boulez - Rituel In Memoriam Maderna

Image
Bruno Maderna was a close friend of Pierre Boulez . In 1958 Boulez and Maderna were conductors of two of the three orchestras in the fraught premiere of Karlheinz Stockhausen's Gruppen , the third orchestra was directed by the composer. My picture above, from the Stockhausen archive , was taken at a rehearsal for the premiere in Cologne. Left clicking on the image will enlarge it. Stockhausen is conducting orchestra 1 on the left, Maderna orchestra 2 in the centre, and Boulez orchestra 3 on the right. The photo at the foot of the article shows Boulez, Maderna and Stockhausen in Darmstadt in 1956, and, interestingly, was taken by Hans Keller . . Maderna's relationship with the BBC Symphony Orchestra was established before Boulez's period as the orchestra's chief conductor, and was one of the many fruits of William Glock's period as BBC Controller of Music between 1959 and 1972. Maderna made his debut with the orchestra in 1959 when he gave the first public perfo...
Read more

BBC Radio 3 - no live music after 7pm

Image
George Orwell lived long enough to know the Third Programme ; he adapted his own Animal Farm for it. Language that is manipulative and deceitful is now for ever Orwellian. He would have undoubtedly recognised some of the ways in which the Third’s successor, Radio 3, has sought to neutralise hostility and influence reaction to its controversial new schedule, which began yesterday. Its changes are many. Nine shows have been axed. Another five have been moved. Apart from the Proms and other special seasons, and the last act of some New York operas, there will be no live music after 7pm. Late Junction is reduced, Discovering Music extended. There will be a new weekday breakfast host, six new series and afternoon opera. Well aware that some of this was attacked when partly leaked last November, the BBC has acted decisively. All the main Radio 3 message boards — forums for listeners to give their opinions and let off steam — will be closed from tomorrow. Radio Times and Radio 3’s official a...
Read more

BBC Proms and the tyranny of the children’s encyclopedia

Image
As the annual administrative behemoth known as the BBC Proms lumbers into motion, filling the national ether with its familiar blend of civic piety and corporate branding, one is forced to confront a recurring fatigue.To listen to BBC Radio 3’s broadcasts of these mammoth London concerts is to witness a curious ritual of cultural containment. Before a note of Vaughan Williams or a forgotten rarity by Jonathan Harvey can safely enter the acoustic space, it must first be sanitized. The listener is subjected to presenters topping and tailing each masterwork with breathless, patronizing trivia, as if lifting entries straight from an illustrated children’s encyclopedia of classical music. One hears the familiar, smug cadence—that unmistakable institutional voice which assumes that the public cannot possibly encounter sound unmediated by narrative hand-holding.  The star system versus the art  The modern Proms season operates less as a sanctuary for deep listening and more as an e...
Read more