I wrote, and reblogged, my research article Furtwängler and the forgotten new music to draw attention to some unknown music from what is described below as "this troubled period in music history." The following informed comments on the article therefore delighted me. Thank you Daniel in Frankfurt, and Garth in Washington DC, for making it all worthwhile Daniel Wolf wrote - The case of Max Trapp is fairly clear: he was a Nazi, and an early one. His "Appell an die Schaffenden" ("Call to Creative Artists"), in _Die Musik_,in which he identified himself as such, was published in June of 1933. The 1951 performance is simply a reminder that de-Nazification was slow. The most interesting musician on your list may well be Heinrich Kaminsky (photo left), and one whose career provides a useful contrast to Trapp. Kaminsky's father was an Old Catholic priest of Jewish background, and Kaminsky, who was Pfitzner's successor at the Prussian Academy of the Ar
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http://www.youtube.com/watch?v=OQnd5ilKx2Y
Here we have an example of the failure to show visually whence came our music and how the whole of it came to be. A small matter, of course, for young people now go out into the world almost nescient about how the world as we know it came to be and how they themselves might find a place in it, for they were never properly taught such in the years of their 'schooling'. I'm an ex-pat retired historian who sometimes dreams of the A-Levels of yore (my yore). I kid you not that one september three decades ago, I started the first tutorial of a first-year European history course
by asking someone, anyone, to tell me what they knew about Hitler and Nazism. Nothing - not one could tell me anything at all.
I hope no one is asking what the hell that photo has got to do with history, for it has everything to do with it, including the fact that there are now people thinking Nielsen looked like an avuncular, bearded Scot with a shirt and photographer way ahead of their time.
The description "Radio 2.5" has achieved widespread currency in connection with this and other changes. When I read that description while travelling last week I had a feeling that it originated On An Overgrown Path some years ago. My feeling has been confirmed by a poster on the independent BBC Radio 3 forum -
http://www.for3.org/forums/showthread.php?3294-Brian-Sewell-joins-the-throng!/page2
Here is my 2006 post, which was somewhat ahead of its time -
http://www.overgrownpath.com/2006/12/bbc-is-performing-badly.html
http://www.dailymail.co.uk/news/article-2039794/BBC-Radio-3-Breakfast-Radio-2-5-say-listeners.html
http://www.overgrownpath.com/2008/01/great-music-making-doesnt-need.html