I couldn't agree more strongly with Théo . As Colin Davis said when he took over at the LSO, what the orchestra needed was to play a great deal of Mozart and Haydn, string tone often having been the Achilles heel of London orchestras. Davis has also said that, of works he would most still like to record he would most like to record, he would choose the St Matthew Passion, but noted that, alas, the 'specialists' would never allow that. As our good host points out, the present situation would have been incomprehensible to great conductors of the past, whether Walter, Klemperer, Mengelberg, or Furtwängler. How is one to hear the Bach in Mahler, let alone the Mahler in Bach, if one does not know Bach - and know him intimately? Even if one were to take the ayatollah-like view that Bach and Handel were and could only be chamber music, it would be necessary to play them for that reason alone. Those would confine Bach, Mozart, Monteverdi, or anyone else, to a (generally grossly mis...
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And Andrew, it sounds like you're not familiar with "Simple Gifts" or Copland. It has the same melody as "Lord of the Dance." It's a nice tune and ever since Copland used it in Appalachian Spring it has always had a special place in Americana.
It's possibly one of the most American pieces of music there is -- something written by an American, for Americans.
It was a perfect and appropriate tune to arrange for the occasion. The text is as follows:
'Tis the gift to be simple, 'tis the gift to be free,
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and to bend we shan't be asham'd,
To turn, turn will be our delight
'Till by turning, turning we come round right.
Our musical tradition was built and developed around religious music -- Puritan hymns, Shaker hymns, shaped Note hymn singing, spirituals, etc. There is a certain American "sound" or style that is embodied in Copland, and it is the direct influence of the music on which the US was built.
While there are many Big Names in the classical music tradition from the US, the true representatives of our musical culture are composers like Alice Parker, Moses Hogan, H.T. Burleigh, Samuel Coleridge-Taylor and yes, Copland.
Hello,
Am I alone in being disturbed by how similar Williams's treatment of Simple Gifts to that of Copland? The first appearance of the tune in the clarinet in the same register; the lightly bustling accompaniment...
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James Primosch