On his new ECM album After the Last Sky oudist Anouar Brahem is joined by jazz multi-instrumentalist Django Bates and bassist Dave Holland . Plus, in a serendipitous link to that ultimate opposer of musician's indifference Pau Casals, long-time ECM maverick cellist Anja Lechner plays with Brahem for the first time, In his 1986 book After the Last Sky , Edward Said evoked Palestinian history in musical terms, as a "counterpoint (if not cacophony) of multiple, almost desperate dramas, with "no central image (exodus, holocaust, long march)... Without a center. Atonal". In a thoughtful booklet essay Adam Shatz explains that Brahem's " After the Last Sky is in no way a didactic work of art and still less an anthemic expression of protest" and goes on to point out that "Brahem is Tunisian, not Palestinian, but he is no stranger to the tragedy of the Palestinian people". Most tellingly Shatz recounts how we are all t...
Comments
And Andrew, it sounds like you're not familiar with "Simple Gifts" or Copland. It has the same melody as "Lord of the Dance." It's a nice tune and ever since Copland used it in Appalachian Spring it has always had a special place in Americana.
It's possibly one of the most American pieces of music there is -- something written by an American, for Americans.
It was a perfect and appropriate tune to arrange for the occasion. The text is as follows:
'Tis the gift to be simple, 'tis the gift to be free,
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and to bend we shan't be asham'd,
To turn, turn will be our delight
'Till by turning, turning we come round right.
Our musical tradition was built and developed around religious music -- Puritan hymns, Shaker hymns, shaped Note hymn singing, spirituals, etc. There is a certain American "sound" or style that is embodied in Copland, and it is the direct influence of the music on which the US was built.
While there are many Big Names in the classical music tradition from the US, the true representatives of our musical culture are composers like Alice Parker, Moses Hogan, H.T. Burleigh, Samuel Coleridge-Taylor and yes, Copland.
Hello,
Am I alone in being disturbed by how similar Williams's treatment of Simple Gifts to that of Copland? The first appearance of the tune in the clarinet in the same register; the lightly bustling accompaniment...
--
James Primosch