From populist roots to cosmopolitan modernism

Hi Bob, reading your Roberto Gerhard post immediately brought to mind a new release of the three piano concertos by Alberto Ginastera - seen above. Both composers underwent significant stylistic growth from somewhat populist roots to embracing cosmopolitan modernism. I completely agree with your assessment of Gerhard, though I haven't heard the quartets yet. One interesting feature of this Ginastera recording is the premiere of his early Concierto Argentino, which he suppressed and withdrew. His widow gave the (excellent) pianist permission to play and record it. It's delightful. The other two are strong and bracing. Terrific music. Best, John McLaughlin Williams
Also on Facebook and Twitter. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s).

Comments

billoo said…
The cat also seems to be mesmerized by the music! :-)

b.
JMW said…
The cat must have been hearing the 2nd Piano Concerto, for it is quite an apposite look.

Recent popular posts

How to save the BBC Singers

Classical music has a salary envy problem

Classical music needs to build not burn bridges

The Berlin Philharmonic's darkest hour

Watch Michel Petrucciani video online

Audio porn

Never sit in the comfy chair

Nada Brahma - Sound is God

In search of the lost link from non-classical to classical

When market forces and music collided