From populist roots to cosmopolitan modernism

Hi Bob, reading your Roberto Gerhard post immediately brought to mind a new release of the three piano concertos by Alberto Ginastera - seen above. Both composers underwent significant stylistic growth from somewhat populist roots to embracing cosmopolitan modernism. I completely agree with your assessment of Gerhard, though I haven't heard the quartets yet. One interesting feature of this Ginastera recording is the premiere of his early Concierto Argentino, which he suppressed and withdrew. His widow gave the (excellent) pianist permission to play and record it. It's delightful. The other two are strong and bracing. Terrific music. Best, John McLaughlin Williams
Also on Facebook and Twitter. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s).

Comments

billoo said…
The cat also seems to be mesmerized by the music! :-)

b.
JMW said…
The cat must have been hearing the 2nd Piano Concerto, for it is quite an apposite look.

Recent popular posts

Virtue signalling does not sell concert tickets

Why is the classical music industry anti-vax?

Where has all the musical adventurousness gone?

Mystery of politically incorrect London Philharmonic violinist

Classical music must woke up and smell the coffee

How classical music slipped a disc

As a Wagner conductor he has no equal

Musical chauvinism and inconsistency ...

Scott Ross and the paradox of genius

Today's audiences hear music differently