Liszt de-arranges Beethoven
The Liszt bicentennial is well served elsewhere. But a brief heads up for a body of work that happens to be my favourite Liszt and which has been strangely neglected in the birthday junketing. The complete edition of Liszt's transcriptions of Beethoven's Symphonies dates from 1865 and is dedicated to Hans von Bülow. Transcription is technially the wrong term as Liszt summarises and embellishes Beethoven with the aim of recreating for piano the spirit and not the notes of the symphonies. Writing of his transcriptions Liszt said "they ought more properly be called dérangements" - which takes us down an interesting semantic path. Most readers will have made the literal jump, as I did, from dérangement to 'de-arrange', making Liszt a very early deconstructionist. But, quite deliciously, my Oxford French/English dictionary offers the following translations of dérangement - 'bother, disorder, upset'.
Fortunately you can decide for yourself whether Liszt transcribed, de-arranged or upset Beethoven as there is a first rate recording by Cyprien Katsaris, seen above, of the arrangements which is available as a budget priced Teldec 6 CD set and download. There is a further twist in this semantic path as Katsaris himself de-arranges/upsets Liszt's transcription/de-arrangement/upset of Beethoven's Sixth Symphony with some textual enhancements. Katsaris is a persuasive advocate of Liszt's arrangements which, for me, reach their peak in the sparse beauty of the adagio third movement of the Ninth Symphony. It is difficult to know why Cyprien Katsaris' fresh look at some of the greatest music in the classical canon is not better known, although the 'smooth classics' artwork seen below does not help, which is why I led with an artist shot. Now read about Marino Formenti's dérangement of Kurtág.
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