...but I wanted to solve a problem. To put it very simply, it was the problem of suffering, and it still is. This seems to me the most important problem, in fact the only problem which one should be engaged with: in art as in life, what is suffering and what is the key to alleviating it? It leads back to Buddhism. Buddha is famous of course for proposing just such a solution and it seems his whole life was engaged in the Bodhisattva mission of alleviating suffering, bringing enlightenment and releasing all beings, all living beings from samsara, the world of suffering. Be that as it may, I certainly felt that this more objective music was in the direction of moving away from this fascinating world of samsara, of suffering, in which we are interminably caught and upon which art endlessly meditates. That was Jonathan Harvey speaking to Arnold Whittall in 1999. Jonathan’s path towards the Buddhist pure land , which he expressed so eloquently in his Fourth Quartet , has progressed further...
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http://www.telegraph.co.uk/news/3152886/WITH-LEGAL---53-million-Securitas-Robbery-orchestrated-by-two-cage-fighters.html
The full headline explains why the story has been selected -
£53 million Securitas Robbery orchestrated by two cage fighters
Thanks for noticing our humble class blog. The writing on the blog is by students at Thomas More College (in Crestview Hills, Kentucky, USA) who are enrolled in a first year seminar class called "Listening to the Silence: John Cage and Experimental Music." On an Overgrown Path is, of course, on our required reading list. Indeed, the many thoughtful posts on Cage I found on this blog were a major source of inspiration for the course syllabus.
Best,
Jerome Langguth