Edmund Rubbra's Brahms Variations And Fugue On A Theme By Handel Op. 24 was performed in the 1940s and 50s by Arturo Toscanini and Eugene Ormandy, and his Rubbra's Fifth Symphony was recorded by Sir John Barbirolli and programmed by Leopold Stokowski. Yet today Rubbra's music is rarely if ever heard in the concert hall. So we are fortunate that it has been better served in the recording studio. Notable recordings include Richard Hickox's indispensable survey of all the symphonies for Chandos , supplemented by compelling interpretations by Norman del Mar, Tod Handley, Sir Adrian Boult, and the composer. (But strangely, Rubbra's Brahms Variations is missing from the current CD catalogue.) But why has Rubbra failed to gain traction in the concert hall? Why, for example, in an age when accessible trumps challenging , is Rubbra's Fourth Symphony virtually unknown? Why is his music so neglected when the Lark Ascending consistently tops popularity polls, and Robert L...
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http://www.telegraph.co.uk/news/3152886/WITH-LEGAL---53-million-Securitas-Robbery-orchestrated-by-two-cage-fighters.html
The full headline explains why the story has been selected -
£53 million Securitas Robbery orchestrated by two cage fighters
Thanks for noticing our humble class blog. The writing on the blog is by students at Thomas More College (in Crestview Hills, Kentucky, USA) who are enrolled in a first year seminar class called "Listening to the Silence: John Cage and Experimental Music." On an Overgrown Path is, of course, on our required reading list. Indeed, the many thoughtful posts on Cage I found on this blog were a major source of inspiration for the course syllabus.
Best,
Jerome Langguth