Montreal-based Constantinople Ensemble is a group of musicians who chose the journey, not only geographical, but also historical, cultural, temporal, and inner, as their cornerstone, drawing inspiration from all sources and aiming for distant horizons. To the cynic this vision will sound trite. But unlike so many in the world of contemporary art music , the Constantinople Ensemble under their music director Kiya Tabassian put their music where their mouth is. Their recently-released album In the Footsteps of Rumi on the innovative Glossa label may be predictable in subject matter. But the core ensemble of setar (Persian lute), kanun (Turkish zither), percussion, and baroque violin and viola d'amore is far from predictable. For the exquisite Rumi settings in Persian and Arabic they are joined by Tunisian singer Ghalia Benali in an album that provides a refreshingly astute viewpoint on the over-exposed Rumi . Even further off the predictability scale is the Cons
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http://www.telegraph.co.uk/news/3152886/WITH-LEGAL---53-million-Securitas-Robbery-orchestrated-by-two-cage-fighters.html
The full headline explains why the story has been selected -
£53 million Securitas Robbery orchestrated by two cage fighters
Thanks for noticing our humble class blog. The writing on the blog is by students at Thomas More College (in Crestview Hills, Kentucky, USA) who are enrolled in a first year seminar class called "Listening to the Silence: John Cage and Experimental Music." On an Overgrown Path is, of course, on our required reading list. Indeed, the many thoughtful posts on Cage I found on this blog were a major source of inspiration for the course syllabus.
Best,
Jerome Langguth