'He was genuinely convinced that he had an infallible musical ear. Heinz Lorenz suggested, 'My Führer, you ought to give a concert in the Great Hall. After all, you could afford to invite the best German musicians, Gieseking, Kempff, Furtwängler and so on. You don't go to the opera or the theatre any more, but you could listen to music. It wouldn't strain your eyes either'. Hitler rejected the idea. 'No, I don't want to trouble such artists just for me personally, but we could play a few records.' A thick book listed all the records that the Führer owned. There must have been hundreds of them. The wooden panelling of the wall turned out to be a cupboard holding records, with a built-in gramophone that was invisible till the cupboard doors were opened. The black discs stood in long rows, labelled with numbers. Bormann operated the gramophone. Hitler nearly always had the same repertory played: Léhars operettas, songs by Richard Strauss, Hugo Wolf and Ri...
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http://www.telegraph.co.uk/news/3152886/WITH-LEGAL---53-million-Securitas-Robbery-orchestrated-by-two-cage-fighters.html
The full headline explains why the story has been selected -
£53 million Securitas Robbery orchestrated by two cage fighters
Thanks for noticing our humble class blog. The writing on the blog is by students at Thomas More College (in Crestview Hills, Kentucky, USA) who are enrolled in a first year seminar class called "Listening to the Silence: John Cage and Experimental Music." On an Overgrown Path is, of course, on our required reading list. Indeed, the many thoughtful posts on Cage I found on this blog were a major source of inspiration for the course syllabus.
Best,
Jerome Langguth