It had been performed in the great barn at Snape Maltings , of course ... Arvo Pärt, who was present only because his own work was being premiered the following day, sat in the row in front, dressed in a long, brown raincoat like a seedy French detective. He’d leaned forwards, a thumb buried in his huge dark beard, his balding head shining above the long hair, hunched and concentrated. He was all elbows, a lot thinner than Jack had expected, and kept nibbling the ends of his long fingers, too restless for an Old Testament prophet. His wife sat next to him, looking owl-like behind huge spectacles. She often spoke for him in interviews and Jack was more nervous about what she might say than of Pärt himself ... Jack took a bow afterwards and then, once the clapping had subsided and the house lights had gone up, surveyed members of the audience from the side. Among the silvery, distinguished heads there was a lot of winking, a lot of confiding of patient fortitude and thin-lipped smirks, p...
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And Andrew, it sounds like you're not familiar with "Simple Gifts" or Copland. It has the same melody as "Lord of the Dance." It's a nice tune and ever since Copland used it in Appalachian Spring it has always had a special place in Americana.
It's possibly one of the most American pieces of music there is -- something written by an American, for Americans.
It was a perfect and appropriate tune to arrange for the occasion. The text is as follows:
'Tis the gift to be simple, 'tis the gift to be free,
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and to bend we shan't be asham'd,
To turn, turn will be our delight
'Till by turning, turning we come round right.
Our musical tradition was built and developed around religious music -- Puritan hymns, Shaker hymns, shaped Note hymn singing, spirituals, etc. There is a certain American "sound" or style that is embodied in Copland, and it is the direct influence of the music on which the US was built.
While there are many Big Names in the classical music tradition from the US, the true representatives of our musical culture are composers like Alice Parker, Moses Hogan, H.T. Burleigh, Samuel Coleridge-Taylor and yes, Copland.
Hello,
Am I alone in being disturbed by how similar Williams's treatment of Simple Gifts to that of Copland? The first appearance of the tune in the clarinet in the same register; the lightly bustling accompaniment...
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James Primosch