In a typically thoughtful contribution to my post Why not play the premier league composers more often? Richard Bratby - who is professionally involved in classical music - mused "speaking solely from my own experience - there is a very noticeable falling-off in ticket sales when a symphony orchestra programmes pre-Beethoven repertoire, irrespective of the quality of the performance or the music, or the energy with which it is marketed. But why?" Now Kea has answered Richard's question with the following comment: Wagner, Mahler, Shostakovich, etc, all sound more or less like film music (or -- more accurately -- film music sounds more or less like recycled bits of Wagner, Mahler, Shostakovich, etc) and therefore don't require any intellectual involvement or serious effort to listen to. Understanding the music of Bach, Mozart or Haydn, etc (or for that matter Schumann, Brahms, Webern, Cage, etc) actually requires people to listen actively rather than being pulled alo...
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And Andrew, it sounds like you're not familiar with "Simple Gifts" or Copland. It has the same melody as "Lord of the Dance." It's a nice tune and ever since Copland used it in Appalachian Spring it has always had a special place in Americana.
It's possibly one of the most American pieces of music there is -- something written by an American, for Americans.
It was a perfect and appropriate tune to arrange for the occasion. The text is as follows:
'Tis the gift to be simple, 'tis the gift to be free,
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and to bend we shan't be asham'd,
To turn, turn will be our delight
'Till by turning, turning we come round right.
Our musical tradition was built and developed around religious music -- Puritan hymns, Shaker hymns, shaped Note hymn singing, spirituals, etc. There is a certain American "sound" or style that is embodied in Copland, and it is the direct influence of the music on which the US was built.
While there are many Big Names in the classical music tradition from the US, the true representatives of our musical culture are composers like Alice Parker, Moses Hogan, H.T. Burleigh, Samuel Coleridge-Taylor and yes, Copland.
Hello,
Am I alone in being disturbed by how similar Williams's treatment of Simple Gifts to that of Copland? The first appearance of the tune in the clarinet in the same register; the lightly bustling accompaniment...
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James Primosch