Scott Ross and the paradox of punk

Angela Merkel's choice of mother-of-punk Nina Hagen to perform at her departure ceremony chimes with my recent Scott Ross thread. Despite being an authority of the music of Bach and Rameau, Scott Ross had refreshingly wide-ranging tastes in music. Here is Michel Proulx's description from his privately-published biography Scott Ross, Claveciniste - Un Destin Inachevé.

'[Scott Ross] also liked synthesisers because he loved Brian Eno's, or Philip Glass' music, but also that of Nina Hagen and other artists from the 'non-formal' scene. I believe it was enough to present him with a subject which he would like for him to catch on it'. 

It was with the help of harpsichord maker, Zen Buddhist and biographer Michel Proulx that I found Scott Ross' little house in Assas which featured in my homage Scott Ross and the paradox of genius.

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