Genius or genetic experiment?


It is rewarding to see my early advocacy of an overlooked woman musician 'Philippa Schuyler - genius or genetic experiment?' back up among Overgrown Path's most read stories - see sidebar - after seven years. That is Philippa above and the linked analysis with audio samples of her piano music by John McLaughlin Williams is also a must-read. Speaking of must-reads, did you see that story elsewhere 'Women in orchestras wash their hair, and the men?'

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A Philippa Schuyler moment

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An earlier post painted a word portrait of child prodigy, pianist and composer Philippa Schuyler. Her music is rarely heard today and difficult to find. So we are very fortunate that John McLaughlin Williams agreed to record her Nine Little Pieces for piano specially for On An Overgrown Path . His recording can be heard via the YouTube video above, and in the article below he analyses her music Philippa Schuyler. Just hearing the name takes me back to a place in my childhood I have not revisited in memory more than a couple of times in decades. Philippa Schuyler’s name was but one of dozens lodged in my parent’s large sheet music library, occupying shelf space alongside the giants and talented lesser lights of our canonic music literature. Even among those lesser lights Schuyler seemed to me an odd duck a the time, for here peering at me from the cover of the sole piece of music by her in our possession was a picture of a seven year old girl of mixed race, rather than an aged, w...
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Vonnegut gets his Dresden facts wrong

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In 1968, the year I wrote Slaughterhouse Five, I finally became grown up enough to write about the bombing of Dresden. It was the largest massacre in European history. I, of course, know about Auschwitz, but a massacre is something that happens suddenly, the killing of a whole lot of people in a very short time. In Dresden, on February 13, 1945, about 135,000 people were killed by British firebombing in one night. It was pure nonsense, pointless destruction. The whole city was burned down, and it was a British atrocity, not ours. They sent in night bombers, and they came in and set the whole town on fire with a new kind of incendiary bomb. And so everything organic, except my little PoW group, was consumed by fire. It was a military experiment to find out if you could burn down a whole city by scattering incendiaries over it. Kurt Vonnegut's 1968 novel Slaughter-house Five is an essential part of the literature of the bombing of Dresden. In his new book A Man Without a Country: A...
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Karajan on the music of today

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This 1963 Stereo Review interview with Herbert von Karajan was tucked inside a copy of Curt Riess' 1955 biography of Wilhelm Furtwängler that I bought years ago from a rare book dealer. In it Karajan ranges from baroque to contemporary music. A fascinating document that is worth reproducing even though it is rather difficult to read in this format. Left clicking (in Windows) on the individual images does enlarge them. Sorry about the legibility and cropping, but transcribing the complete text is beyond even me. However the following exchanges do particularly demand to be captured: Pendergast - ' In rehearsing the orchestra, you seem to put great emphasis on conveying the proper rhythms to the players. Is this perhaps the most difficult task for the conductor?' Karajan - ' Yes, it is. It is very strange, but with our race and in our latitude, rhythmic control is the most difficult thing for a musician to achieve. There is hardly a musician among us who can play the sa...
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The power of music blogs - and poetry

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Path finder - One of my regular ports of call is An Overgrown Path . If you want to see why, click here. One recent Overgrown Path post really caught my eye: Eric Whitacre outsells Mozart Lots of stuff about Mr Whitacre. Apparently, he is quite famous. I had never heard of him. Which says something about me, I suppose. Anyway, it's a good read. Toward the end of Overgrown Path's post, there is a link to an mp3 download. So, I downloaded. And listened. Nice. Go down the path some more? The CD is called Cloudburst . It's on the UK's Hyperion label. Hyperion: Cloudburst Fourteen poems set to music.Choral works. Choral, works.What works opens with a poem by E. E. Cummings: Posted on Mister Bijou from South China: Serendipity, Connections and Trends - Visiting On An Overgrown Path , I was introduced to contemporary classical music composer Eric Whitacre. (Just a few days ago I ‘discovered’ classical violinist Christian Tetzlaff, and classical music critic Jeremy Eichl...
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Instruments of extreme beauty

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Let us praise the harpsichord. Heavens knows it needs praising, because the poor instrument is much maligned. Thomas Hobbes described its sound as “ poore, nasty, brutish and short ", while Sir Thomas Beecham more famously described it as like " two skeletons copulating on a tin roof." How unfair. The harpsichord is unique among musical instruments. Not only can it produce the most exquisite sound, but the appearance of the instrument can also be a thing of extreme beauty. Alan Gotto has been making harpsichords near where I live in Norfolk since 1976. He came to the craft after spending some time working for an organ builder. At university he studied music, and specialised in early keyboard studies. Self-taught as a harpsichord maker, he now offers a range of five types of instruments which include spinets and virginals (which is what the photo at the head of this post actually is). Additionally there is a beautiful Gotto portative organ for coninuo players. All...
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Classical music's biggest problem is that no one cares

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These photos were taken by me in 2008 at independent record retailer Prelude Records in Norwich. Jordi Savall's impromptu viol recital and signing session preceeded two performances at the Norfolk and Norwich Festival. One was a solo recital by Jordi in Peter Mancroft Church ; the other was an immensely moving performance of his visionary Jerusalem multicultural project at the Theatre Royal*. As reported here Prelude Records closed earlier this year; it was a victim of predatory online retailing, and today its premises stand empty awaiting occupation by a mobile phone or E-cigarette retailer. The Norfolk and Norwich Festival has been the victim of savage funding cuts , but continues in a more modest form due to the dedicated work of its small management team. A few days ago I wrote about a two-thirds empty Snape Maltings concert and proposed that classical music's heartland is facing a perfect storm caused by the convergence of the shifts in consumer tastes and the r...
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What is the link to Lady Gaga?

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'That inner spirit has been embodied very vibrantly in Benedictine monastic life and liturgy. This helps to explain the paradox of a music which when sung really expresses the spirit of silence; which with almost wordless vocalization really attempts to express the very word of God; which with the action of singing really is meant to be a vehicle of contemplation' - Abbot Marcel Rooney, O.S.B. The glories of Gregorian Chant, or "the mysticism of the octave" as Abbot Rooney describes it, have drawn me back again and again to the Benedictine L'Abbaye Sainte-Madeleine at Le Barroux near Avignon in France. The monastic community at Le Barroux are orthodox Catholics who celebrate the Holy Offices eight times a day in plainsong which respects the scholarship of Solesmes . This glorious liturgy is one of the reasons why I have stayed at the Abbey as a guest of the monks quite a few times over the years despite my discomfort with other aspects of Catholicism . As a resul...
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Travels beyond TripAdvisor

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These photos were taken on my recent spirit quest in Morocco to the Sufi shrine of Sidi Chamharouch, which is seen above. A 75 minutes drive from Marrakech brought me to Imlil where the road ends and the mountains begin. The hamlet of Sidi Chamharouch - which is one of those blessed places which returns a blank in a Trip Advisor search - is at an altitude of 2350 metres and is reached by a tough and potentially dangerous two hour climb up a rocky path. Access is impossible for wheeled vehicles and supplies are brought in by the mules seen in my photos. Beyond Sidi Chamharouch is Jebel Toubkal, which at 4,167 metres is the highest mountain in North Africa. During my trek I was struck by the similarity between the High Atlas and Ladakh on the border of India and Tibet . Film director Martin Scorsese was also struck by the similarity. With Tibet a no-go zone he used this region for location shooting of his 1997 movie Kundun ; this depicts the Dalai Lama 's flight into exile fro...
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I am weary of the constant US bashing

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Hi Pliable, I just need to confess: I've enjoyed so much of your writing and reporting on music and humanity, and your postings have added much to my enlightenment and delight in life. But I may be coming to a point where I won't go there much anymore. I happen to live in the US, and I am getting very weary of the constant bashing of mostly anything US - politics, composers, music, morals, etc. I am a decent person, a pacifist (Quaker), to a degree a political activist (I attended my first anti-war protest *since* the Viet Nam war when Bush II invaded Iraq, and have continued)... you get the picture. But I just don't need to be constantly told how bad I am, how little I do, etc. I hope you understand my perspective. For those of us who fight regularly, and have for a good long time, to retain the best qualities of our country while attempting to contain or diminish the bad, it is hard to see ourselves - because we are here, not there - perpetually painted in very bad light....
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While classical music debates nothing changes

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'This magic comes only with the sounding of the music, with the turning of the written note into sound - and it only comes (or comes most intensely) when the listener is one with the composer, either as a performer himself, or as a listener in active sympathy' - Benjamin Britten Recent articles here about whether classical music responds to mass marketing and social media have generated considerable interest. So I thought it worthwhile to create a straw model which summarises the thrust of the articles and that is the purpose of this post. The straw model is remarkably simple and is built around the following four propositions. 1. Classical music engages new audiences most effectively by direct transmission to what Britten describes as as "a listener in active sympathy". 2. Despite this classical music today is characterised by hypermediation, meaning there are more and more intermediary layers appearing between performer and audience. 3. These intermediary la...
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