Leaders destroy followers and followers destroy leaders


'Leaders destroy the followers and followers destroy the leaders. You have to be your own teacher and your own disciple. You have to question everything that man has accepted as valuable, as necessary' ~ Jiddu Krishnamurti
Articles from which graphics are taken can be read via this link (Newsweek) and this one (National Review). Any copyrighted material is included as "fair use" for critical analysis only, and will be removed at the request of copyright owner(s). Also on Facebook and Twitter.

Comments

Unknown said…
thanks for your precious work, Pliable
12:12 pm
Pliable said…
Sandro Mussida -

https://www.youtube.com/watch?time_continue=5&v=m1DJXx0BRvw

https://www.youtube.com/watch?time_continue=5&v=iBWr6ij4mk4
12:28 pm
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On An Overgrown Path has been preoccupied recently - some would say obsessed - with the absence of black conductors at the BBC Proms , and recently highlighted this Sunday's admirable concert at the Festival Hall by the Chineke! Orchestra, a professional orchestra made up entirely of black and minority ethnic musicians. So a big splash by Tom Service in the Guardian about Sheku Kanneh-Mason, the soloist in Sunday's concert, should be be good news. But instead it simply provides another example of how classical music is shooting itself in the baton. Tom Service is employed by both the Guardian and BBC . (Some would argue that the Guardian and BBC are one and the same ). So in his article Tom Service mentions the BBC in the sub-head seen above, in the opening paragraph, and four more times in the body copy. The immensely talented Sheku Kanneh-Mason is of course a BBC property as he won the 2016 BBC Young Musician competition and is the subject of a BBC Four TV document...
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Twenty-one years ago I wrote about an article on NewMusicBox  that forecast the age of music streaming, and included the following quote from the article: A world where music is available via the latest technologies for a single monthly subscription charge. A world with unlimited access to a huge range of music. A world where the music business will explode and reinvent itself. A world where listeners are empowered, and the reach of new music is limited only by your own imagination. A world where the major record companies aren’t invited to the party. A world where music becomes a utility on tap, just like gas and electricity. A world where music is like water.  It can be argued that streaming has empowered consumers by offering instant gratification. But two decades ago, in my post I expressed concerns about the advent of 'music like water' with these words: "Music-like-water won’t bring a utopia where every recording, of every work, by every composer from Evaristo Abaco ...
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