Still travelling


Second World War German gun emplacement on L'île de Noirmoutier overlooking the seaward approach to Saint Nazaire. Follow this path to musique concrete.


Also on Facebook and Twitter. Photo (c) On An Overgrown Path 2011. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

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Pliable said…
Surprisingly topical post - http://www.bbc.co.uk/news/world-europe-106325
4:04 pm
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How to reach a big new post-COVID classical audience

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Bruno Walter's 1938 Vienna Philharmonic interpretation of Mahler's Ninth Symphony still has the power to move and enlighten, despite the technical limitations of the recording. Similarly Wilhelm Furtwängler's Berlin Philharmonic concert recording from 1949 of Bruckner's Eighth Symphony still reminds us that beauty is more powerful than hatred, again despite considerable technical limitations. Today, blowing 866 million euro on a not quite acoustically perfect concert hall is the go-to solution for saving classical music, which means a celebrity conductor can  throw his batons out of the pram  when he is not rewarded with a blinged-out new hall. So why, given these contemporary priorities, can great recordings from the past touch us so deeply when heard through the technology equivalent of a tin shed concert hall?  The answer lies in the little-understood but vitally important process of listening . There is no such thing as perfect sound , or historic sound, or bad
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I put a spell on you

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Thanks go to all those who responded to the post about disposal of my LP collection and turntable . I am pleased to report both have now been sold. It is doubly pleasing to report they have been sold to the same purchaser who is a composer. So having been such a valuable resource for me, the collection and turntable will continue to be a resource for another generation. Technology has many benefits ; but in forty years time there will definitely not be a similarly advantageous market for personal virtual libraries of streamed classical music .  Header advertisement is currently appearing in eBay's free marketplace Gumtree. New Overgrown Path posts are available via RSS/email by entering your email address at the top of this page. Any copyrighted material is included for critical analysis, and will be removed at the request of copyright owner(s).
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Untold story of the counterculture's Islamic connection

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For many children of the sixties a 'journey to the East' was a mandatory rite of passage. As a result one of the lasting impacts of the counterculture was the assimilation into Western culture of esoteric religions. The embrace of Vedanta and Zen Buddhism is well-documented, as is the music that it produced ranging from the Beatles' Indian period to John Cage's 4' 33". Less celebrated is the counterculture's engagement with the esoteric strand of Islam known as Sufism, an involvement that also produced important but overlooked music. Given the current preoccupation with Islam it is puzzling that more attention has not been paid to the green shoots of Sufism - a tradition with a benign history - that appeared in the West in the late 1960s. Earlier this year the film Blessed are the Strangers directed by young director Ahmed Peerbux premiered. But this film is selective in its coverage of 1960s Sufism, so this post attempts to fill in some conspicuous and
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In 1968, the year I wrote Slaughterhouse Five, I finally became grown up enough to write about the bombing of Dresden. It was the largest massacre in European history. I, of course, know about Auschwitz, but a massacre is something that happens suddenly, the killing of a whole lot of people in a very short time. In Dresden, on February 13, 1945, about 135,000 people were killed by British firebombing in one night. It was pure nonsense, pointless destruction. The whole city was burned down, and it was a British atrocity, not ours. They sent in night bombers, and they came in and set the whole town on fire with a new kind of incendiary bomb. And so everything organic, except my little PoW group, was consumed by fire. It was a military experiment to find out if you could burn down a whole city by scattering incendiaries over it. Kurt Vonnegut's 1968 novel Slaughter-house Five is an essential part of the literature of the bombing of Dresden. In his new book A Man Without a Country:
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Berlin Philharmonic's first woman conductor

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In 2005 the appointment of a woman music director by a major American orchestra caused a storm of controversy . So, it is surprising to find that it was back in 1930 that the Berlin Philharmonic Orchestra was first conducted by a woman, and even more surprising to find she was an American. But the story doesn't have a happy ending. Despite receiving critical acclaim, Antonia Brico found doors closed to her when she returned to the US, and was forced to form her own orchestras to continue her conducting career. She is seen above conducting in New York in 1945. (Image credit Dr. Ralph Weizsäcker ). Antonia Brico was born Wilhelmina Wolthus in Rotterdam in the Netherlands in 1902, and emigrated to California with her foster parents in 1908. She attended high school in Oakland where she gained experience as a pianist and conductor. She went on to study liberal arts at the University of California, Berkeley , and also worked at the San Francisco Opera as an assistant to the director,
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Above are the latest accounts for SlippedDisc Limited, which has Norman Lebrecht as a director*. These accounts show that the profit and loss account surplus** increased in fiscal 2020 to £203,719, an increase of 41% over the previous year***. To put that £203,719 trading surplus into context, the average salary for a Metropolitan Opera musician converted into sterling is £138,990 , that of BBC Radio 3 Controller Alan Davey is £182,000 , and Boris Johnson earns £161,401 . Let's be clear at this point: the filed accounts fully comply with the requirements of Companies House and are in the public domain , and Norman runs a legitimate business. This post is not being driven by malice or sour grapes. On An Overgrown Path has never had commercial aspirations: I was well rewarded during my career in the music industry and I am very fortunate to have adequate pension provisions. This post is driven, like so many on my blog, by context and facts.  Regular readers know that, to put it mi
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From early in life, Britten had close relationships with handsome teenagers. On his side, there was often a sexual attraction. The boys themselves were sometimes unaware, sometimes complicit. Ronan Magill, the last such figure in Britten's life, wasn't conscious of the charge in their relationship at the time, but says now: 'If he did [feel attraction], then I'm glad that he did - if I could make him think that way for even five seconds. ' When it comes to the question of how far attraction was physically expressed, Bridcut sometimes leans on the evidence. In 1936, Britten invited Harry Morris, 13, on a family holiday in Cornwall (Britten's brother and sister and their families were also present). According to Morris, Britten came into his room one night and made what he understood to be a sexual approach. The boy screamed and hit his host with a chair, attracting the attention of Britten's sister, Beth. Harry returned to London in the morning. With Pea
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