Wouldn't it be lovely?


Wouldn't it be lovely if a classical musician gave a free concert/radio/TV interview when she/he didn't have a new CD/concert tickets to flog?

Also on Facebook and Twitter. Photo taken in the Ait Ourir Souk, Morocco is (c) On An Overgrown Path 2011. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

Comments

Pliable said…
Free music...

You might like to know that I have put three samples from the last concert onto the Voces website.

Go to www.voceschoral.webs.com and click on 'Listen to us'.

More passion than polish, but none the worse for that, and the audience feedback has been terrific. A pity about the unmuffled coughing...

With best wishes,

Martyn Warren, Director
Voces - Renaissance Choral Music
Newton Abbot
Devon

Voces previousl featured here http://www.overgrownpath.com/2008/03/what-price-music-of-unsung-master.html
9:04 am
Pliable said…
Email from Martyn Warren of Voces -

One comment on your 'Wouldn't it be lovely' post this morning: I suspect that most classical musicians love to talk about their music - their passion. The problem is that, unless one is in the superstar category, the general media will only want to talk with a classical musician if he or she has something to 'sell' - either literally, as in concert tickets or CDs, or metaphorically in the shape of radical new ideas, great success, great disaster, or scandal. Admittedly my experience is at a pretty low level, trying to interest local/regional print and broadcast media, but I suspect it is typical.

Things have changed markedly in the last 10 to 15 years. In the past our regional newspaper had an arts editor, who attended events in person and interviewed artists - no more. The BBC local news programme had a 5-minute slot on a Friday evening previewing upcoming arts events - no more. I had no trouble interesting local radio in mini-features based around our music, and more than once have spent a happy hour in a radio studio chatting live about renaissance choral music and my choir - I don't expect that to happen again.

I am generalising from the specific, and I am sure that you will get opposing views.

Best wishes, and keep up the good work,

Martyn
10:25 am
Pliable said…
Martyn Warren makes a very good point in the email above.

Too often we, and I include myself in this, blame the musicians for attention seeking.

But in many cases the musicians are hostages, willing or otherwise, of the commercial/intermediary complex, and of the media and agents in particular.

Which brings us back to the question that my article linked to above asks. Who is benefitting from disintermediation in classical music? Is it the music, or is it the commercial/intermediary complex?
10:30 am
Gavin Plumley said…
If we're talking about Barenboim, then I'm all for it. Yes, the media circus is dull.. but marketing exists in all walks of life and Classical Music needs all the help it can get. To appreciate it in a marketing vacuum may seem like utopia, but such an idea is ultimately a castle in the air.
7:57 am
Pliable said…
Gavin, as ever I am happy that there is more than one point of view on this.

But I am becoming incresingly uncomfortable with the concept that "Classical Music needs all the help it can get."

Just think today's BBC Radio 3, Norman Lebrecht, and the Classical Brit Awards etc etc.

Classical music needs help, but it needs the right kind of help. Many of the problems facing classical music today have been caused by the greed of the middle feeders who have used the mantra that "Classical Music needs all the help it can get" to further their own agendas.

Defining the right kind of help is very difficult, if not impossible. But we can at least try.
9:18 am
Post a Comment

Recent popular posts

Classical music has a salary envy problem

Image
Godwin's rule of Hitler analogies states that once Hitler is mentioned that discussion is ended, because the level of discourse has deteriorated so far further communication is pointless. Which means that whoever mentioned Hitler has lost the argument. I now propose a new rule based on Godwin's law: namely that once Gary Lineker is mentioned in a discussion about the BBC Singers, whoever mentioned Gary Lineker has lost the argument.  First a disclaimer. I am not a football fan and I believe disbanding the BBC Singers is a mistake. But I also live in the real world and see that classical music is doing an appalingly bad job at defending the BBC Singers. BBC TV's Match of the Day fronted by Gary Lineker has a weekly audience of around 2.5 million viewers, and Lineker's on-screen presence guarantees a massive license fee loyalty that helps fund the BBC's classical music activities. I deliberately use words 'help fund' as neither Lineker's salary nor the
Read more

Audio porn

Image
That is my 1970s vintage Technics stylus pressure gauge being used today. This beautifully engineered strain gauge measures stylus pressure accurate to 0.1 grams. The Thorens TD 125 turntable with SME Series IIIS tone arm and Audio-Technica AT-F3 cartridge are also all more than 40 years old. I wonder how many of today's CD players, yet alone MP3 devices, will still be in daily use in 2057? Coming to that how many of today's music streaming services will still be in business ? And I wonder how many Malcolm Arnold symphonies will be performed at the BBC Proms in the next 40 years ? Also on Facebook and Twitter . Any copyrighted material is included as "fair use" for critical analysis only, and will be removed at the request of copyright owner(s).
Read more

How to save the BBC Singers

Image
Classical twitterati have been busy retweeting Andrew Neil's tweet comparing Gary Lineker's £1.3 million salary with the £1.5 million needed to save the BBC Singers. But no-one has tweeted  the most recent figures  showing that the ten highest paid classical conductors earnt in one year a total of £13.8 million. This means that the average salary (before guest conducting, recording and other fees) of the top ten conductors is slightly higher than Gary Lineker's. Moreover a 10% top slice off those conductors' salaries would be almost enough to save the BBC Singers. Over to you twitterati. 
Read more

Nada Brahma - Sound is God

Image
It may be my age, but those moments when a piece of music really hits me in the solar plexus seem to get rarer and rarer. But during my recent extended travels in India I was metaphorically punched time and time again when listening to ECM's Codona recordings on headphones. Recent posts have touched on the potential of virtual concert halls and the fact that no one mixes for speakers these days , and the Manfred Eicher produced Codona sessions from between 1978 and 1982 really demonstrate the impact of the up close and personal sound of headphones . The line up for Codona was African-American trumpeter Don Cherry, Brazilian percussionist Nana Vasconcelos, and Colin Walcott on sitar, tabla, hammered dulcimer, sanza, timpani, and voice. The band took its name from a circus trapeze act of the early 20th century called the Flying Codonas , and the three albums packaged by ECM for CD as The Codona Trilogy capture the peerless musicians-beyond-frontiers performing their creative hig
Read more

The Berlin Philharmonic's darkest hour

Image
Wilhelm Furtwängler was born on 25th January 1886. He was Music Director of the Berlin Philharmonic from 1923 to his death in 1954, and held this position for the twelve years that Hitler was in power. In January 1945 he was conducting in Vienna, and fled from there to Switzerland where he remained until the Battle of Berlin ended in the defeat of the Nazis. The musicians of his orchestra remained in Berlin during its darkest hour. Here is their story: On 28th March 1945 the Russian forces commanded by Marshal Georgy Zhukov were just twenty miles to the east of Berlin. A month previously Albert Speer had been replaced as Nazi armaments minister after trying to persuade Hitler that defeat was inevitable. Speer now turned his energies to preventing the musicians of his adored Berlin Philharmonic from perishing in the inevitable final battle. Reich Commisioner Dr Joseph Goebells, who was in charge of the defence of Berlin, had ordered the entire orchestra to be drafted into the Vol
Read more

Watch Michel Petrucciani video online

Image
Back in January 2005 I wrote about legendary jazz pianist Michel Petrucciani (right), and that article remains high in my 'popular pages' listing after fifteen months. Since writing that piece Overgrown Path reader Andrew Nathan and I have been tracking down Petrucciani video footage, and just this week Andrew came up with an absolute gem that is available free on Google video. In my original article I wrote that Michel Petrucciani was a 'pianistic genius' , and it is no coincidence that he is buried in the Pierre Lachaise cemetery in Paris alongside Chopin. This 38 minute video with excellent sound (and a bonus guest appearance from the gorgeous Charlotte Rampling ) is not just essential viewing for jazz fans, it should be watched by all students of the piano - whatever their discipline. Just click here to view this important document. (The video is not hosted by On An Overgrown Path , this is a link to an external site). And to set the video into context here is m
Read more

Never sit in the comfy chair

Image
Travelling round Northern France, I found myself listening to France Musique. Frank Bridge. Arnold Bax. And the incomparable performance of In a Summer Garden by Barbirolli . Presented in a way that suggested the presenter knew what he was saying.... Cf Petroc Trelawny That comment was added by a reader to a recent post . By coincidence it was awaiting moderation when I returned from driving from Cahors in the Limousin region of south-west France to the Channel port of Caen, during which drive I too found France Musique's output unusually satisfying. When I cleared the UK border control at Portsmouth and turned onto the M27 I tuned in to Martin Handley on BBC Radio 3 . In the past Martin Handley was one of the station's more erudite presenters, but I quickly switched back to the SDHC memory card in my car's audio system . Because Handley's presentation style has descended - or more probably has been forced to descend - into ' Jack and Jill radio' which treats
Read more

In search of the lost link from non-classical to classical

Image
In previous posts I have explained how a rock band provided a link from the non-classical to classical worlds, a link which led me not only to a deep appreciation of great music, but also to a career working in the classical industry and BBC . But does the link to a rock band make me "dumb and dumber"? Let me explain why I ask that question. In a recent post I described the 1986 meeting between the great mythologist Joseph Campbell and Jerry Garcia from the Grateful Dead, and there is another link between Joseph Campbell and rock music. Founder member of the prog rock band The Moody Blues and Mellotron specialist Mike Pinder has explained that Campbell's work persuaded him to devote his time post-Moody Blues to bringing myths and music to young people . Mike Pinder is a Fellow of the Joseph Campbell Foundation , and his 1995 spoken word album A Planet with One Mind , a mythological tales for children from cultures countries including Native American, Aztec, Chine
Read more

Classical music needs to build not burn bridges

Image
My post about Norman Lebrecht's 'dumb and dumber' attack on a non-classical genre and artist prompted several thoughtful comments from readers. Joe Shelby's response demands a post to itself, and the last two paragraphs should be studied carefully by everyone in the classical music industry. Here is his comment in full.  Though I loved some of the 'standard' classical in the common realm works (the works on Fantasia, Beethoven's 5th, common elements from the Bugs Bunny cartoons like Pier Gynt's music that is almost every cartoon sunrise theme), my doorway to classical (and especially modern classical) wasn't any connection to Rock music, much as I was a fan of progressive rock like Yes and King Crimson.  Rather, it was film music, particularly sci-fantasy (Star Wars, the Star Trek films, Rosenman's score for the Bakshi Lord of the Rings ) that became my doorway. I wanted more like that. I wanted to know where it came from. And it is from there
Read more

Classical music has lost the art of dumbing sideways

Image
A tribute to André Previn affirmed that "He probably did more to popularise great music on his Saturday night show for BBC1 than anybody else before or since" and acknowledgement of his role as a populariser was a common thread running through all the rich appreciations. In recent years classical music has been subject to many varieties of dumbing down; from Ibiza anthems at the BBC Proms to Paganini with a hula hoop . But dumbing down has singularly failed to even approach the success achieved by André Previn and other popularisers of the past. My classical epiphany predated André Previn by some years. It was Jacques Loussier and Modern Jazz Quartet founder John Lewis who led me to appreciate the infinite riches of J.S. Bach's music. Jacques Loussier (b.1934) and John Lewis (1920-2010) were masters of the art of dumbing sideways - using jazz to make classical music more accessible without devaluing it in the process. Unlike today's dumbing down movement whic
Read more