Visitor logs for On An Overgrown Path show significant traffic from ChatGPT and other AI bots. This current obsession with all things AI reminds me of the Gnostic creation myth. In this the demiurge, or craftsman, employed by the "true God" to create the world, comes to believe that it is really in control, that it is the supreme deity, and enacts a coup d'état, with disastrous consequences. These musings were triggered by Ian McGilchrist's The Master and His Emissary , Gary Lachman's The Secret Teachers of the Western World , and Jordi Savall's The Forgotten Kingdom . The latter is an epic musical depiction of the Catholic Albigensian Crusade against the Gnostic beliefs of the Cathars, which resulted in the massacre of 20,000 inhabitants of Béziers in Languedoc. A powerful example of a fashionable creation myth that ended in tears.
Comments
I wonder if you are familiar with MacDonald's theory of "midcult." I question the idea that all music is or should be made accessible to everyone. At the risk of repeating Babbitt's "Who Cares if You Listen?" mistake, I rather feel that certain music can only be appreciated by those who put in the effort to do so with their full attention. Yes, future generations might be more visually attuned than aurally, but that does not mean we should give up on helping them to cultivate their ears and practice listening; the brain is amazingly plastic, after all.
I can name plenty of songs that, while musically perhaps not so exciting, became popular because of an entertaining dance or video attached to them. I don't look forward to the day when a composer's success is measured by how much they can spend hiring artists and CGI editors to mask their mediocre music.