...but I wanted to solve a problem. To put it very simply, it was the problem of suffering, and it still is. This seems to me the most important problem, in fact the only problem which one should be engaged with: in art as in life, what is suffering and what is the key to alleviating it? It leads back to Buddhism. Buddha is famous of course for proposing just such a solution and it seems his whole life was engaged in the Bodhisattva mission of alleviating suffering, bringing enlightenment and releasing all beings, all living beings from samsara, the world of suffering. Be that as it may, I certainly felt that this more objective music was in the direction of moving away from this fascinating world of samsara, of suffering, in which we are interminably caught and upon which art endlessly meditates. That was Jonathan Harvey speaking to Arnold Whittall in 1999. Jonathan’s path towards the Buddhist pure land , which he expressed so eloquently in his Fourth Quartet , has progressed further...
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It's not as if the whole farrago had already been seen and dismissed in the UK two or three years ago, in - oh, I don't know, some provincial backwater like, erm, Cardiff. Presumably none of our world-class London commentators managed to make the trip that time. Or maybe they just don't read reviews of events at no-mark hicksville venues like the Wales Millennium Centre.
We provincials have our uses. We could have saved them the expense of buying four expensive tickets, for starters...
I did a guest spot on a BBC Radio 5 Live chat show about the Proms the other night. I was sat alone in the BBC studios in Norwich, everyone else was in the London.
When I mentioned the excellent Les Orientales festival in France the BBC presenter sneered at me, saying not many people can afford to go to French music festivals.
Actually they can. If, like me, you live more than a hundred miles from London (or in Cardiff even), going to a Prom involves a night in a London hotel.
I can currently get my car and two people across the Channel and back for half the price of a London hotel room which comes without breakfast, but does come with black mould in the shower and burn marks in the carpet.
The media, and the BBC in particular, think that London is the beginning and end of the classical music world. They are missing a lot as a result.