In a typically thoughtful contribution to my post Why not play the premier league composers more often? Richard Bratby - who is professionally involved in classical music - mused "speaking solely from my own experience - there is a very noticeable falling-off in ticket sales when a symphony orchestra programmes pre-Beethoven repertoire, irrespective of the quality of the performance or the music, or the energy with which it is marketed. But why?" Now Kea has answered Richard's question with the following comment: Wagner, Mahler, Shostakovich, etc, all sound more or less like film music (or -- more accurately -- film music sounds more or less like recycled bits of Wagner, Mahler, Shostakovich, etc) and therefore don't require any intellectual involvement or serious effort to listen to. Understanding the music of Bach, Mozart or Haydn, etc (or for that matter Schumann, Brahms, Webern, Cage, etc) actually requires people to listen actively rather than being pulled alo...
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It's not as if the whole farrago had already been seen and dismissed in the UK two or three years ago, in - oh, I don't know, some provincial backwater like, erm, Cardiff. Presumably none of our world-class London commentators managed to make the trip that time. Or maybe they just don't read reviews of events at no-mark hicksville venues like the Wales Millennium Centre.
We provincials have our uses. We could have saved them the expense of buying four expensive tickets, for starters...
I did a guest spot on a BBC Radio 5 Live chat show about the Proms the other night. I was sat alone in the BBC studios in Norwich, everyone else was in the London.
When I mentioned the excellent Les Orientales festival in France the BBC presenter sneered at me, saying not many people can afford to go to French music festivals.
Actually they can. If, like me, you live more than a hundred miles from London (or in Cardiff even), going to a Prom involves a night in a London hotel.
I can currently get my car and two people across the Channel and back for half the price of a London hotel room which comes without breakfast, but does come with black mould in the shower and burn marks in the carpet.
The media, and the BBC in particular, think that London is the beginning and end of the classical music world. They are missing a lot as a result.