Whatever happened to the HPSCHD?


Definitely something not to be missed. Although at a UK retail price of around £20 for 2 CDs of an amateur mono recording that is more than half-a-century old, hardly a bargain. Vaughan Williams' 1958 performance of the St. Matthew Passion cuts twelve numbers including four arias, is sung in English with a large chorus, and uses a piano and organ instead of harpsichord for the keyboard continuo. 'It is our privilege and duty to use all the improved mechanism invented by our instrument-makers to do full justice to this immortal work' - Vaughan Williams explained.

It would be difficult to find two greater musical opposites than Vaughan Williams and John Cage. But they do have something in common. Cage said 'I hate the harpsichord, it reminds me of a sewing machine'. Despite that Cage went on to compose HPSCHD for up to 7 harpsichords and 51 electronic tapes. Memories from John Cage's HPSCHD supplier here. VW's Matthew Passion was recorded in the Dorking Halls. Personal memories of Dorking here.

Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report errors to - overgrownpath at hotmail dot co dot uk

Comments

Garth Trinkl said…
Pliable, thanks for all your wonderful posts.

However, I recall my old Nonesuch LP recording of HPSCHD fairly explicitly giving both John Cage and Lejaren Hiller as the composers of the work.

Here is an interesting link to Lejaren Hiller, although it doesn't cite the work in question.

All best.

http://ems.music.uiuc.edu/history/hiller.html
Pliable said…
Garth, you, as usual, make a very good point.

Following that link in my post to the John Cage database I find the following attribution:

'Composed in collaboration with Lejaren Hiller and with the assistance of Jack Cuomo and Laetitia Snow.'

Thanks for pointing it out.

http://www.johncage.info/workscage/hpschd.html
Rodney Lister said…
That being said, the VW performance of the St. Matthew is quite wonderful.

Recent popular posts

Scott Ross and the paradox of genius

How to reach a big new post-COVID classical audience

Because we will never again sow division

The Berlin Philharmonic's darkest hour

Critical Mass

Quite simply glorious music - and what is wrong with that?

Philippa Schuyler - genius or genetic experiment?

Naxos 'dumbs-down production standards'

The truth about those French orchestras

The act of killing from 20,000 feet