On his new ECM album After the Last Sky oudist Anouar Brahem is joined by jazz multi-instrumentalist Django Bates and bassist Dave Holland . Plus, in a serendipitous link to that ultimate opposer of musician's indifference Pau Casals, long-time ECM maverick cellist Anja Lechner plays with Brahem for the first time, In his 1986 book After the Last Sky , Edward Said evoked Palestinian history in musical terms, as a "counterpoint (if not cacophony) of multiple, almost desperate dramas, with "no central image (exodus, holocaust, long march)... Without a center. Atonal". In a thoughtful booklet essay Adam Shatz explains that Brahem's " After the Last Sky is in no way a didactic work of art and still less an anthemic expression of protest" and goes on to point out that "Brahem is Tunisian, not Palestinian, but he is no stranger to the tragedy of the Palestinian people". Most tellingly Shatz recounts how we are all t...
Comments
http://www.kettlesyard.co.uk/publications/catalogues/index.html
It would be just dandy if string theory merely predicted those extra dimensions. The problem is that string theory depends on those extra dimensions (a total of 11 at last count) for its very existence. Absent those extra dimensions, string theory collapses as a viable theory of anything, much less everything.
ACD
Hi, I enjoy your blog. Your post on string theory made me wonder whether you've bumped into the connection between higher dimensional geometry and music, but there are some interesting connections.
http://cosmiclog.msnbc.msn.com/archive/2006/07/07/950.aspx
http://www.time.com/time/magazine/article/0,9171,1582330,00.html
Am actually writing about one of the "On an Overgrown Path" pieces, which makes a very interesting use of scales ...
Dmitri Tymoczko
Assistant Professor of Music
Princeton
http://music.princeton.edu/~dmitri