While researching another post I came across, completely by chance, a perceptive appreciation of Leonard Bernstein's Mass. The following was written by a well-known musical figure. But who was it? Answers please to be added as using the comments feature at the foot of the post. I'm interested to see if anyone can correctly identify the author as the tone of the piece is quite surprising once you know who wrote it. On Friday I'll add the next section that the mystery author wrote, which should make the answer clearer. "Kennedy Centre opened on September 8th 1971. The opening of the Opera House preceeded that of the Concert Hall by one day with Leonard Bernstein's Mass, written for the occassion. The work made a deep impact upon the emotionally pre-charged audience, not least because of the re-emergenceof the Kennedy name and the Kennedy tragedy. This worked-up state of mind of the public was, perhaps, detrimental to a true appreciation of the work, and the fixed da...
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http://www.kettlesyard.co.uk/publications/catalogues/index.html
It would be just dandy if string theory merely predicted those extra dimensions. The problem is that string theory depends on those extra dimensions (a total of 11 at last count) for its very existence. Absent those extra dimensions, string theory collapses as a viable theory of anything, much less everything.
ACD
Hi, I enjoy your blog. Your post on string theory made me wonder whether you've bumped into the connection between higher dimensional geometry and music, but there are some interesting connections.
http://cosmiclog.msnbc.msn.com/archive/2006/07/07/950.aspx
http://www.time.com/time/magazine/article/0,9171,1582330,00.html
Am actually writing about one of the "On an Overgrown Path" pieces, which makes a very interesting use of scales ...
Dmitri Tymoczko
Assistant Professor of Music
Princeton
http://music.princeton.edu/~dmitri