In 1968, the year I wrote Slaughterhouse Five, I finally became grown up enough to write about the bombing of Dresden. It was the largest massacre in European history. I, of course, know about Auschwitz, but a massacre is something that happens suddenly, the killing of a whole lot of people in a very short time. In Dresden, on February 13, 1945, about 135,000 people were killed by British firebombing in one night. It was pure nonsense, pointless destruction. The whole city was burned down, and it was a British atrocity, not ours. They sent in night bombers, and they came in and set the whole town on fire with a new kind of incendiary bomb. And so everything organic, except my little PoW group, was consumed by fire. It was a military experiment to find out if you could burn down a whole city by scattering incendiaries over it. Kurt Vonnegut's 1968 novel Slaughter-house Five is an essential part of the literature of the bombing of Dresden. In his new book A Man Without a Country: A
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It doesn't seem to have occured to anyone that the reason I embed links to other OAOP posts is to add value, and that I couldn't give a stuff where my blog appears in primacy tables.
Hyperlinks are the point of the internet guys.
"the refreshingly unselflinking Alex Ross"
Oh please, I'm starting a blog on rabbit breeding.
Oh please, I'm starting a blog on rabbit breeding.
Hahahahaha.
Yikes, my fellow Yanks. I've noticed that Americans in general have an amazing ability to leech every last bit of fun and interest out of things by turning them in to surrogate sporting contests, marketing opportunities or, more commonly, putting a dreary Puritanical gloss on them.
That's surely a joke, because if you took away Mr. Ross' links to his New Yorker articles, TRIN would be pretty thin gruel at times.
The Sounds & Fury ranking is a useful, but debatable, guide to the ranking of classical music blogs for those that need one.
But it may be worth considering that the apparent popularity of OAOP is due to the fact that readers actually like both the content and the embedded links, rather than being achieved by some cunning and arcane mathematical manipulation.