Reader Antoine Leboyer writes to point out that the New York Philharmonic has made its programme archive available online and that the archive shows how past programmes were far more varied than those played today. Here are just some of the composers that Antoine highlights from past concerts by the orchestra: Siniaglia, Busoni, Bosi, Chadwick, Stanford, Loeffler, McDowell, Hadley, Goldmark, Pfitzner, Enesco, Vieuxtemps and Grétry. Antoine also remarks on how Webern's music has virtually disappeared from New York concerts in recent years. One of the many confidence tricks of the digital era is how a long tail of cultural riches was promised , but a short head immaculately coiffed by audience whoring celebrities was actually delivered. I suggest that one of the key search criteria for the New York Philharmonic's new music director should be a passion for giving audiences permission to like unfamiliar music . Graphic is grabbed from the New York Philarmonic archive lan
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You are of course right - my error entirely.
I've now amended the post.
It is now 11.20pm in Norfolk and we've just returned from a concert. The sky is completely clear of cloud, and we have probably the best view we've ever had of a lunar eclipse.
And an awful lot of people are arriving On An Overgrown Path via Google searches for 'lunar eclipse'. I hope they enjoy the theremin story, and return for more.
Theremin and variations on the moon
There's no lunar eclipse in this entry.
Oops. I guess now there is.
By the way, I'm still not sure that the guy sitting with Varese is James Seawright. Jim is known now more for his kinetic sculpture.
It was 50 years ago, but it doesn't look like him, so it could have been some smartly dressed Phillips engineer. I've seen that photo so many times, but I always assumed it was Jim, whom I met in the mid 60's when I lived in NYC and made some visits to the Columbia-Princeton studio. I'll probably research it further until I've satisfied my curiosity.