Legendary wilderness survival expert and author Tom Brown, Jr wrote that "Safety, security, and comfort are euphemisms for death". It is only too evident that the priceless artform of classical music is struggling to survive fundamental changes in culture and technology, yet it remains puzzlingly wedded to the fatal dogmas of safety, security, and comfort. Just one example is the reactionary brouhaha that greeted the City Of Birmingham Symphony Orchestra's experimental challenges to classical comfort zones. Yes, some of those experiments were obviously misguided and doomed. But the classical nimbies would do well to remember Søren Kierkegaard 's assertion that "Everyone wants progress, no one wants change". Change in the classical lexicon all too frequently means experiments with lighting, visuals, and social media targeted at young audiences. Or it means emphasising the zones of safety, security, and comfort by programming "classical light...
Comments
You are of course right - my error entirely.
I've now amended the post.
It is now 11.20pm in Norfolk and we've just returned from a concert. The sky is completely clear of cloud, and we have probably the best view we've ever had of a lunar eclipse.
And an awful lot of people are arriving On An Overgrown Path via Google searches for 'lunar eclipse'. I hope they enjoy the theremin story, and return for more.
Theremin and variations on the moon
There's no lunar eclipse in this entry.
Oops. I guess now there is.
By the way, I'm still not sure that the guy sitting with Varese is James Seawright. Jim is known now more for his kinetic sculpture.
It was 50 years ago, but it doesn't look like him, so it could have been some smartly dressed Phillips engineer. I've seen that photo so many times, but I always assumed it was Jim, whom I met in the mid 60's when I lived in NYC and made some visits to the Columbia-Princeton studio. I'll probably research it further until I've satisfied my curiosity.