On his new ECM album After the Last Sky oudist Anouar Brahem is joined by jazz multi-instrumentalist Django Bates and bassist Dave Holland . Plus, in a serendipitous link to that ultimate opposer of musician's indifference Pau Casals, long-time ECM maverick cellist Anja Lechner plays with Brahem for the first time, In his 1986 book After the Last Sky , Edward Said evoked Palestinian history in musical terms, as a "counterpoint (if not cacophony) of multiple, almost desperate dramas, with "no central image (exodus, holocaust, long march)... Without a center. Atonal". In a thoughtful booklet essay Adam Shatz explains that Brahem's " After the Last Sky is in no way a didactic work of art and still less an anthemic expression of protest" and goes on to point out that "Brahem is Tunisian, not Palestinian, but he is no stranger to the tragedy of the Palestinian people". Most tellingly Shatz recounts how we are all t...
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Like you, I too can't find it online. It is a photo feature so they may not make it available on the web because of bandwidth considerations.
It is a fairly shallow 'toys for boys' feature they run each week. If you are a Terry Pratchett fan you haven't missed much by not reading it. There is little in it apart from the rather neat Tallis quote.
For me the highlight was The Sixteen's late night Prom, see this post which was quite outstanding.
One problem of course with Spem is the forces required. Which is why Antony Pitts' new work XL is so interesting, see this post.
Although the Tallis and Tippett anniversaries have justifiably grabbed attention this year it has meant that Obrecht has been overlooked in his anniversary year, something I hope to rectify shortly.
And talking of Tallis do you know Antoine Brumel's Missa "Et ecce terraemotus" (Earthquake Mass). If you like Spem you'll love it. And the great news is that it is on a stunning super budget release from Brilliant Classics, see this post.