Montreal-based Constantinople Ensemble is a group of musicians who chose the journey, not only geographical, but also historical, cultural, temporal, and inner, as their cornerstone, drawing inspiration from all sources and aiming for distant horizons. To the cynic this vision will sound trite. But unlike so many in the world of contemporary art music , the Constantinople Ensemble under their music director Kiya Tabassian put their music where their mouth is. Their recently-released album In the Footsteps of Rumi on the innovative Glossa label may be predictable in subject matter. But the core ensemble of setar (Persian lute), kanun (Turkish zither), percussion, and baroque violin and viola d'amore is far from predictable. For the exquisite Rumi settings in Persian and Arabic they are joined by Tunisian singer Ghalia Benali in an album that provides a refreshingly astute viewpoint on the over-exposed Rumi . Even further off the predictability scale is the Cons
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Like you, I too can't find it online. It is a photo feature so they may not make it available on the web because of bandwidth considerations.
It is a fairly shallow 'toys for boys' feature they run each week. If you are a Terry Pratchett fan you haven't missed much by not reading it. There is little in it apart from the rather neat Tallis quote.
For me the highlight was The Sixteen's late night Prom, see this post which was quite outstanding.
One problem of course with Spem is the forces required. Which is why Antony Pitts' new work XL is so interesting, see this post.
Although the Tallis and Tippett anniversaries have justifiably grabbed attention this year it has meant that Obrecht has been overlooked in his anniversary year, something I hope to rectify shortly.
And talking of Tallis do you know Antoine Brumel's Missa "Et ecce terraemotus" (Earthquake Mass). If you like Spem you'll love it. And the great news is that it is on a stunning super budget release from Brilliant Classics, see this post.