Gentlemen, old Bach is here....

"Gentlemen," he said, "old Bach is here." Those who heard him said there was "a kind of agitation" in his voice.
These are the opening words of James Gaines' new book. Bach's compositions are well documented in a wealth of excellent recordings, and there are many scholarly books on his life and work, starting with Albert Schweitzer's seminal biography which was first published in French in 1905. But to date the Bach literature has lacked a really accessible book that makes the man, as opposed to his music, come to life.
Now we have Evening in the Palace of Reason. This follows the lives of J.S.Bach and Frederick the Great in parallel and culminates in their meeting in Potsdam. This resulted in the composition of the mysterious Musical Offering after Frederick challenged Bach to write a six part fugue on a theme supplied by him.
Evening in the Palace of Reason works wonderfully at several levels. It paints a well researched picture of Bach that really makes him come alive as both genius and fallible human being. The character of Frederick and his place in the history of Europe are also skillfully defined. And themes as diverse as the Enlightenment and the structure of cannons and fugues are skillfully threaded into the narrative.

The more that I learn about J.S.Bach, the more I am awe-struck by his sheer genius. Evening in the Palace of Reason really brings home his sheer fecundity. It underlines the extraordinary discipline and technique that lie behind the inspiration. It set me thinking about the links from Bach's mathematical forms to modern music. It made me listen afresh to not only Bach, but also to 20th century composers including Webern and Kurtag. It prompted me to take Douglas R. Hofstadter's extraordinary book Godel, Escher and Bach down from the bookshelf. When a book does all those things I have to recommend it.
We have had advance warning of the BBC 'Bach experience' to be broadcast in the week before Christmas. It is interesting that having generated maximum spin from the 1.4 million figure for downloads the BBC PR machine is being a little more shy about telling us where those files went. This seems to confirm a recent leak from within the BBC that the destination of the files may not spin as well as the numbers. But as the newspaper editor said: why let the facts get in the way of a good story?
Before the BBC claims sole credit for introducing Bach to millions of new listeners I'm going to make a pre-emptive strike. So here are some CDs of his music, or more accurately transcriptions of his music, that have been giving me a lot of pleasure recently.

Preludi ai Corali from Winter and Winter has been around some time, but I only discovered it when browsing (or more accurately buying up) the wonderful Harmonia Mundi shop in Avignon in June (which incidentally is where I also bought Chaconne). Winter and Winter are best known for their innovative jazz recordings with Uri Caine. They have a number of similarities to ECM in their repertoire but with a major point of difference. ECM make a feature of their lack of spend on packaging, the Winter and Winter sleeves are collectors items in their own right. But the music on Preludi ai Corali is pretty damn good as well.

Regular readers will know I am a great fan of the Spanish label Glossa. My last variation on J.S.Bach comes from them. Bach - music for solo flute includes the one work for solo flute he wrote, the Partita for Flute BWV 1013. This is coupled with a transcription for solo flute of the Suites for cello BWV 1007 and 1009. The soloist is the Dutch flautist Wilbert Hazelzet who also made the transcriptions. This wonderful disc is one of my favourite for late night listening. The music is gorgeous. But even if it wasn't I would have to recommend it simply for the first article in the sleeve notes which is titled The fairy cakes and Wilbert. This is Spain, and scholarship comes with style.

"Gentlemen, old Bach is here.........."
Now take the overgrown path to Officium live - a triumph of music theatre.
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Comments
James Gaines, author of Evening in the Palace of Reason
(There are also those anti-intellectuals who claim that the ECM New Series is simply marketing pretty photographs...)
ECM sleeve designs with their monochrome feel always look like budget jobs to me. Just as an example look at the sleeve design of the superb ECM Thomas Zhetmair Schumann Quartets. Defining great sleeve design is highly subjective, but I think anyone would struggle to say the quality of the art direction matches the quality of the music and performance on that CD.
I'm probably a retrogrouche. But for me the move from 12 inck LP sleeves to CD jewel boxes killed the art of sleeve design. Winter and Winter may be weird, but they are trying.
Thanks for contributing to an interesting debate. Does anyone have vews on the SDG sleeve designs for their Bach Cantatas, which personally I love?
For example, I very much like the Georgian photographs that grace the ECM New Giya Kancheli albums (a close friend met this Tblisi photographer in Georgia, and has several of his large photos framed in his dining room); while I recall the Valentin Silvestrov covers feature conceptual treatments of film stills from classic Soviet films.
Obviously, I have less experience with marketing to the wider classical market than you do... (though I too feel jewel cases were a disaster despite my LP collection being partially flooded away a few years back.) Sorry for my rush job.
SDG: the most wonderful project in good packets. Space-economical: to have all that text in two languages in such a slim packet. The cover pics look as if they might touch an audience that isn't into BWV numbers and the Lutheran calendar. They bring out the essential humanity of the music (cliché, but a truth also). Only pity is the white-out-of-black text, which makes for quite tough reading.
I checked the CD sleeve, the third transcription is indeed by Rudolf Lutz, apologies.
Evening in the Palace of Reason book is written for a general audience. It even includes a glossary and recommended recordings.
Highly recommended - enjoy it.