Verify, verify, I say unto you

Much spin surrounded the launch of BBC Verify which fact-checks and counters disinformation in external sources. So let's hope the same forensic analysis is applied to the BBC's own contributors.

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A Brief History of Time

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Philip Glass is sometimes wrongly credited with composing the soundtrack for the 2014 biopic of physicist Stephen Hawking The Theory of Everything . This is because the theatrical trailer for the movie used the track Runaway Horses from his score for another movie, Mishima , whereas Jóhann Jóhannsson actually composed the soundtrack . But Philip Glass did provide the soundtrack for the earlier Hawking documentary A Brief History of Time . I was reminded of Philip Glass' soundtrack when reading Graham Farmelo 's newly published biography Hawking: His Life and Work . When reading non-fiction books, one of the first things I do is to turn to the 'Acknowledgements'; because this puts the provenance of the book and therefore the possible agenda of the author into context. So I was somewhat concerned to read that Farmelo's biography was commissioned by Stephen Hawking's Estate . Fortunately my concerns were almost unfounded. This new and meticulously-researched bio...
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Travels beyond TripAdvisor

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The purpose of puffery and closed-mindedness

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What will have more impact on the future of classical music? Roberto Alagna’s latest “squeeze”, or our ability to organise, search and access digital music files? My view tends to the latter, which is why in a comment on a recent post I said “It has long puzzled me as to why the subject of metadata about music recordings is so neglected”. Now reader Mike has responded with the following comment which justifies a post of its own: Music metadata has been a small bugbear of mine ever since I started digitising music in the 90s. In particular the metadata databases used by Apple's iTunes and Microsoft's Media Players are quite awful when you move out of pop/rock music to classical/jazz/world. I don't let either bit of software touch my collection, especially as you can't trust either to honour their metadata settings, and the penalty for them breaching the trust is the loss of hundreds of manhours of labelling. It's also sad that a great many digital downloads ...
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Who am I?

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While researching another post I came across, completely by chance, a perceptive appreciation of Leonard Bernstein's Mass. The following was written by a well-known musical figure. But who was it? Answers please to be added as using the comments feature at the foot of the post. I'm interested to see if anyone can correctly identify the author as the tone of the piece is quite surprising once you know who wrote it. On Friday I'll add the next section that the mystery author wrote, which should make the answer clearer. "Kennedy Centre opened on September 8th 1971. The opening of the Opera House preceeded that of the Concert Hall by one day with Leonard Bernstein's Mass, written for the occassion. The work made a deep impact upon the emotionally pre-charged audience, not least because of the re-emergenceof the Kennedy name and the Kennedy tragedy. This worked-up state of mind of the public was, perhaps, detrimental to a true appreciation of the work, and the fixed da...
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Word quickly spread that the old composer had lost it

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October 2021 brings the centenary of Sir Malcolm Arrnold's birth. But it is unlikely that the photo above* will appear in any of the fulsome tributes to this still sadly neglected composer . It shows Sir Malcolm towards the end of his life with Anthony Day. In 1984 Anthony was appointed by the Court of Protection as Sir Malcolm’s chauffeur-companion, and he fulfilled that role until the composer's death in 2006. Anthony Day, who died of cancer in 2019, is known because of his involvement in the long and bitter battle  over the inheritance of the Arnold Estate. However, the Malcolm Arnold Society offers a refreshingly balanced overview of his role, saying that "Anthony was responsible for the not-always-easy Malcolm... Anthony’s life was not without its controversies, but through his long administrations, the distressing infirmities of Malcolm’s old age were at least tempered by the recognition and many honours Malcolm received as the grand old man of British music"...
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