Most music tries to control its circumstances

Most music tries to control its circumstances, just as most of us do. But there's another way to live. Accept indeterminacy as a principle, and you see your life in a new light, as a series of seemingly unreleated jewel-like stories within a dazzling setting of change and transformation. Recognise that you don't know where you stand, and you will begin to watch where you put your feet. That's when a path appears - Kay Larson, Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists  

Recent listening and reading: 
Kailash, Popol Vuh/Florian Fricke. (Header image is Florian Fricke.) 

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Classical music's biggest problem is that no one cares

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A Philippa Schuyler moment

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Pie in the face for a dangerous buffoon

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Walking with Stravinsky

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Lizzie, I am sorry that this article didn’t appear last year as I had planned. 2006 was the centenary of your birth, but the year passed with scarcely a mention of your work, or a performance of your music. It was my plan to rectify that in a small way, and I wrote a very nicely turned appreciation. I am sure you would have approved of it - all about the myth of Elisabeth Lutyens, the mother of British serialism, ‘Twelve-tone Lizzie’ - the outspoken eccentric shunned by the musical establishment whose compositions were rejected by the BBC, and the composer who struggled for commissions and performances. The myth is perpetuated in your Wikipedia entry which says you 'worked in isolation and neglect, creating a personal style of serialism and eventually gaining some recognition for her ability to set text. Lutyens' work was exposed to the public at large through her scores for horror films.' In your autobiography the Goldfish Bowl you made much of the tensions with your ...
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In the shadow of Chopin

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Happy birthday to the paradoxical Dalai Lama

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He thinks completely with his body

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Male American pioneers

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