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I don't make jokes. I just watch the government and report the facts.
That quote is from Will Rogers (1879-1935). His biography on the official Will Rogers website takes up a story which is painfully relevant to contemporary politics on both sides of the Atlantic:
Will Rogers called politics “the best show in the world” and described Congress as the “national joke factory.” His folksy humor and honest, intelligent observations about the government and America earned the respect of the nation. Eventually, Will roped in some nominations of his own. He declined a nomination to be governor of Oklahoma and became honorary mayor of Beverly Hills in 1925. For the 1928 election, Life magazine formed the Anti Bunk Party, in the hope that their nominee for the Presidency of the United States would not talk “bunk,” as other politicians did. Will’s no-nonsense spin on the political “show” made him the obvious candidate for the spoof campaign. Will, promising that he would resign if he won, wrote his observations on the election in Life and became one of the country’s foremost opinion leaders.
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David Munrow - more than early music

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'David Munrow and the Early Music Consort of London transformed our view of medieval music. The impact of their performances far surparssed any that had gone before: by demonstrating how medieval music could sound normal, they created a niche for it in the concert hall and on record that it has never lost' ~ From Daniel Leech-Wilkinson's notes for Music of the Gothic era May 15 2007 is the thirty-first anniversary of the death of David Munrow. His contribution to the acceptance, understanding and performance of early music almost defies summary. He was born in 1942, and learnt the bassoon and recorder as a child. Between school and university he travelled and taught in South America , and started the collection of ethnic instruments that were to give him, and the world, a new perspective on early music making. He read English at Pembroke College , Cambridge, and was encouraged by Thurston Dart to take an active role in the music-making of that most musical of cities. ...
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Classical music must be doing something wrong

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Classical music's website of choice Slipped Disc  today runs a story on the latest RAJAR UK radio listening figures . This story states that a "...record number of individual hours was spent listening to [BBC Radio 3]. They must be doing something right". Which is good news; but only for those who believe that facts should never stand in the way of a good story. Because simple arithmetic shows that BBC Radio 3 is not doing very much right, while UK classical radio in its entirety is doing something wrong.   In the quarter ended September 2024, BBC Radio 3 and Classic FM audiences were 2.039m and 4.416m respectively. Which gives a total audience for the two classical stations of 6.455m. For the same quarter in September 2023 the audiences were 2.002m and 4.467m, giving a total classical radio audience 12 months previously of 6.469m.  So BBC Radio 3's "something right" turns out to be a fractional increase in its audience year on year, and a contribution ...
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Does Facebook really have to be this dire?

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Social media and its inherent dangers are forensically analysed by Jacob Silverman in Terms of Service . This book should be required reading for all social media users; even for those who already understand how Facebook manipulates news feed and sells their personal data to all and sundry to boost its $523 million profit. It makes for very frightening reading, but the fact remains that there are 1.5 billion Facebook users. Which means social media offers a powerful free (if the cost of losing control of personal data is ignored) communication platform for classical music, an artform that is struggling to widen its reach. So why is classical music's use of Facebook and other social media so dire? Classical music's Facebook users fall into two categories: those who need to sell themselves and those who don't. Those who don't need to sell themselves conform to the social media convention of circulating stories from the Guardian, BBC and New York Times that everyone...
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The Accidental Pilgrim

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Soundtrack for a porn movie

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Brilliant Russian sacred choral music

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The act of killing from 20,000 feet

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Classical music's biggest problem is that no one cares

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The purpose of puffery and closed-mindedness

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Wagner, Mahler and Shostakovich all sound like film music

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