Art music has lost a master of dumbing sideways


Le Monde reports the death of Jacques Loussier who featured recently in my post Classical music has lost the art of dumbing sideways. For more on him read my 2013 article about the house that Play Bach built.

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Classical music's biggest problem is that no one cares

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These photos were taken by me in 2008 at independent record retailer Prelude Records in Norwich. Jordi Savall's impromptu viol recital and signing session preceeded two performances at the Norfolk and Norwich Festival. One was a solo recital by Jordi in Peter Mancroft Church ; the other was an immensely moving performance of his visionary Jerusalem multicultural project at the Theatre Royal*. As reported here Prelude Records closed earlier this year; it was a victim of predatory online retailing, and today its premises stand empty awaiting occupation by a mobile phone or E-cigarette retailer. The Norfolk and Norwich Festival has been the victim of savage funding cuts , but continues in a more modest form due to the dedicated work of its small management team. A few days ago I wrote about a two-thirds empty Snape Maltings concert and proposed that classical music's heartland is facing a perfect storm caused by the convergence of the shifts in consumer tastes and the r...
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Silence of a Candle

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Very sad news about  the death of Ralph Towner at the age of 85. Understandably most tributes have focused on his career as a solo guitarist. But his ensemble work also demands celebration. This included his work with the underrated Paul Winter Consort . This resulted in the 1972 album Icarus produced by George Martin.on which Towner classic's The Silence of a Candle and Icarus debuted. The moonlighting Beatles producer described the album as 'the finest album I ever made' in his memoir All You Need is Ears , which is quite remarkable coming from the person responsible for Sgt Pepper . In 1971 Ralph Towner was a founding member of the ensemble Oregon with Consort bandmates Collin Walcott and Paul McCandless, who were joined by Glen Moore on bass. Oregon never received the attention they deserved, simply because their adventurous and innovative music was impossible to fit into any of the music industry's meaningless genres. As bassist Glen Moore explained "We...
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'David Munrow and the Early Music Consort of London transformed our view of medieval music. The impact of their performances far surparssed any that had gone before: by demonstrating how medieval music could sound normal, they created a niche for it in the concert hall and on record that it has never lost' ~ From Daniel Leech-Wilkinson's notes for Music of the Gothic era May 15 2007 is the thirty-first anniversary of the death of David Munrow. His contribution to the acceptance, understanding and performance of early music almost defies summary. He was born in 1942, and learnt the bassoon and recorder as a child. Between school and university he travelled and taught in South America , and started the collection of ethnic instruments that were to give him, and the world, a new perspective on early music making. He read English at Pembroke College , Cambridge, and was encouraged by Thurston Dart to take an active role in the music-making of that most musical of cities. ...
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That photo was taken by me as my wife handed out sweets to these young Senegalese footballers. (Football followers will appreciate the irony of my engagement with both Morocco and Senegal.)  During our recent travels in Senegal we were struck both by the physical presence and beauty of the people, and by the shocking poverty. 60% of the population is under 30 years old, which is at least partly due to a Senegalese husband being legally allowed up to four wives. 'The Youth's Magic Horn'  (Des Knaben Wunderhorn ) is the anthology of folk poems from which Gustav Mahler's  'Poor Children's Begging Song' ( Armer Kinder Betterlied ) for boy's and women's choirs and contralto soloist in his Third Symphony is taken. My recent listening has included returning to Jascha Horenstein's recording of this symphony. Horenstein (1898 to 1973) was a truly great interpreter of of Bruckner and Mahler, and his recording of the latter's Third Symphony is amon...
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There is increasing concern about political involvement in the arts, with Trump's sequestration of the Kennedy Centre in Washington DC - see photo above - a prime example. Which raises the important question, should creative artists be politically engaged? One position on this is the one taken by Benjamin Britten. When he was asked in 1942 by a tribunal for the registration of conscientious objectors "What would you do if Britain was invaded?" Britten replied "I believe in letting an invader in and then setting a good example". But a contrary position is encoded in a 1985 speech by the award-winning author, environmentalist, Zen adept , and womanizer  Peter Matthiessen . Lance Richardson's masterly new biography of Matthiesen contains the following quote, which in these increasingly dark times  is an important wake-up call not just for American writers, but for creative artists all over the globe.   At a meeting of the Association of Writers & Wr...
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Norman Lebrecht: Slipped Disc and   Lebrecht Weekly, 12/05/2023   "Why I cannot, in good conscience, review this record I cannot, in all conscience, give this recording a star rating, or even a detailed review. The soloist is Elisabeth Leonskaja, a legendary pianist whose introspections are perhaps the strongest living reminder of her late friend Sviatoslav Richter....Christian Thielemann, in the recent film ‘Music under the Swastika’, claimed that Wilhelm Furtwängler’s complicity in the Third Reich was justified by his legacy of extraordinary recordings.  Leonskaya’s presence in Putin’s Russia is not dissimilar. What are we to make of them?... The performances, per se, have nothing to do with the present situation. And yet, everything.I cannot review them". . ..and if you don't like my principles... well, I have others . Norman Lebrecht: Slipped Disc , 19/11/2025 "The Muziekgebouw in Eindhoven has cancelled a December 4 concert by the Russian-Georgian Jewish pia...
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