Leaders destroy followers and followers destroy leaders

'I struggle to appreciate the undoubted huge talents of Simon Rattle, Mirga Gražinytė-Tyla and Sheku Kanneh-Mason, because when I hear their music making I also hear the remorseless noise made by their online boosters' - Overgrown Path 13/05/2018, headline is from the very wise Jiddu Krishnamurti
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Watch Michel Petrucciani video online

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Back in January 2005 I wrote about legendary jazz pianist Michel Petrucciani (right), and that article remains high in my 'popular pages' listing after fifteen months. Since writing that piece Overgrown Path reader Andrew Nathan and I have been tracking down Petrucciani video footage, and just this week Andrew came up with an absolute gem that is available free on Google video. In my original article I wrote that Michel Petrucciani was a 'pianistic genius' , and it is no coincidence that he is buried in the Pierre Lachaise cemetery in Paris alongside Chopin. This 38 minute video with excellent sound (and a bonus guest appearance from the gorgeous Charlotte Rampling ) is not just essential viewing for jazz fans, it should be watched by all students of the piano - whatever their discipline. Just click here to view this important document. (The video is not hosted by On An Overgrown Path , this is a link to an external site). And to set the video into context here is m
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The great free MP3 download fallacy yet again

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"Orchestras must embrace new technology following a BBC experiment that highlighted the huge demand for classical downloads. More than 1.3 million people downloaded Beethoven's symphonies for free during a two-month period last year. That proved there is a large untapped market for classical music, according to US critic, composer and consultant Greg Sandow. " From BBC News report on last week's Association of British Orchestras Conference. Pliable says if I offer free Beluga Caspian caviar from my web site and there are 1.3 million takers does that prove "there is a large untapped market" for Beluga Caviar? And elsewhere some rather more rigorous research comes up with thought provoking results which I would have thought would have been of interest to critics, composers and consultants at a major orchestra management conference: "Music downloading creates listener apathy - internet downloading and MP3 players are creating a generation of people who
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Glenn Gould - the ultimate download

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My personal overgrown path is leading back to the radio studio, and that has set me thinking recently about how to create programmes that are distinctive, inclusive and personal. Over in Holland the creator of Big Brother , Endemol , has its own formula for distinctive broadcasting, and this week launches De Grote Donorshow ( The Big Donor Show ) which gives three dialysis patients the chance to win a dying woman's kidney - or not. Back in 1969 Glenn Gould took a different approach to producing great broadcasting when he created his 'contrapuntal radio documentary' The Latecomers . The main subject was the new Canadian province of Newfoundland , but there was a second subject of solitude, isolation and non-conformity seen from a cultural perspective. The Latecomers , with its basso continuo of the ocean, is both a land-mark in twentieth-century broadcasting and a seriously neglected aspect of Gould's work. Now, thanks to reader Walt Santner, you can hear the whole
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Free Mozart MP3 downloads from Danish Radio

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After the outcry over the Beethoven Symphony files the BBC saw sense and didn't offer any free audio downloads in their Bach Christmas. But now Danish Radio are at it. As part of their Mozart celebrations Danish Broadcasting Corporation are offering free downloads of nine of Mozart’s symphonies played by the Danish National Radio Symphony Orchestra. The first downloads are available on January 27 with Symphony No. 15 in G-flat. This is followed by symphonies Nos. 41, 36, 40, 23, 15, 34, 39, 17 and 35. If you must, here is the link for the downloads . But be warned it is in Danish, and AltaVista's Babel Fish translator doesn't handle Danish! Presumably after the outcry in Denmark there will be no Mendelssohn downloads from Danish Radio for the 160th anniversary of his death in 2007. Then it is over to you New Zealand Radio ... With thanks to fellow blogger Jon Lund for this story Report broken links, missing images and other errors to - overgrownpath at hotmail dot co d
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A treasure trove of Stokowski downloads

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A Japanese site has a treasure trove of recordings by the legendary conductor Leopold Stokowski ranging from 1917 acoustic recordings to 1953 electric recordings. All were 78rpm shellac releases, and the site claims they are copyright free. There are a lot of very fine things to listen to including two complete Tchaikovsky symphonies, a complete 1941 No 4 recorded with the NBC Symphony in 1941, and a 1940 Symphony No.6 'Pathetique' with the All American Youth Orchestra . Thanks go to US reader and internet sleuth Walt Santner whose research uncovered these, and the Norwegian historic MP3s , for us, and to the unknown Japanese webmaster for making them available. Stokowski was the role model for today's jet set maestros. Born in North London in 1882, a short distance from what was to become EMI's famous Abbey Road Studios , he started his musical career as organist in St James' Church, Piccadily . He moved to the US in 1905, and ten years later became a naturali
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The Berlin Philharmonic's darkest hour

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Wilhelm Furtwängler was born on 25th January 1886. He was Music Director of the Berlin Philharmonic from 1923 to his death in 1954, and held this position for the twelve years that Hitler was in power. In January 1945 he was conducting in Vienna, and fled from there to Switzerland where he remained until the Battle of Berlin ended in the defeat of the Nazis. The musicians of his orchestra remained in Berlin during its darkest hour. Here is their story: On 28th March 1945 the Russian forces commanded by Marshal Georgy Zhukov were just twenty miles to the east of Berlin. A month previously Albert Speer had been replaced as Nazi armaments minister after trying to persuade Hitler that defeat was inevitable. Speer now turned his energies to preventing the musicians of his adored Berlin Philharmonic from perishing in the inevitable final battle. Reich Commisioner Dr Joseph Goebells, who was in charge of the defence of Berlin, had ordered the entire orchestra to be drafted into the Vol
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Classical critics need to talk sound sense

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Many more people listen to classical music on streaming services than attend live concerts. Streaming is forcing important changes on recorded classical music, and these changes are little understood, or, in some notable cases, not understood at all. As an example, on the music industry-endorsed Slipped Disc  classical influencer Norman Lebrecht gives an enthusiastic welcome to Apple Classical , saying:  'In a Shostakovich tenth symphony from Berlin, the internal definition seemed to me clearer than the orchestra’s own-label recording and, weirdly, than my aural memory of hearing it in the hall. If this is to be the future quality of sound, bring it on'.  In his  linked article for  The Critic headlined Apple of My Ear Lebrecht explains that he auditioned Apple Classical using the Dolby Atmos/Apple Spatial Audio format. So we need to dig down into the use of PR-speak such as "the sound on Apple is as good as it gets, actually better" by a prominent music critic
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Sibelius remastered or reimagined?

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Classical music has a schizophrenic relationship with sound quality. On the one hand there is an obsessive preocuppation with hideously expensive 'acoustically perfect' concert halls . On the other hand recorded classical music has been chased down the rabbit hole of lo-fi by MP3s, streaming, ear buds, and mobile listening, and rarely - if ever - is sound quality mentioned in reviews of CDs . So it is not surprising but still disappointing that a major initiative by one of the largest classical labels to open the debate about recorded sound quality has passed unremarked, while classical's great and good continue their demands for yet another 'acoustically perfect' concert hall.  Warner Classic's rerelease of Sir John Barbirolli's legendary Sibelius recordings are labelled as 'remastered'. But what is remastering? Mastering and remastering are two very different processes. When a recorded is mastered to CD very little is done to the sound
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Discovered - the online Arnold Schoenberg jukebox

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Want to listen to 24/7 Bach, or nothing but Schoenberg, or exclusively sacred music? Well you can do all that, and a lot more, right here from On An Overgrown Path . My recent post '1984 - you decide' about BBC Radio 3's webcast of Lorin Maazel's controversial opera was mirrored by a number of other music blogs round the world. This, in conjuntion with the Hyperion/Sawkins story resulted in a massive peak in my traffic logs at On An Overgrown Path which lifted first time visitors by a factor of five. (Many thanks to all my fellow bloggers who linked to me on those two stories). This got me thinking, and then researching, about the range of classical music available via streaming on the internet. I spent a couple of hours surfing around this morning, and compiled a starting list of links to sixty classical stations which you will find on the right hand side of this page under the heading Classical Music on the Web . And boy, did that research turn up some interesting
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Wagner downloads and Beethoven cycles

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When BBC Radio 3 runs the whole of Wagner’s Ring on Easter Monday, Rhine Maidens to immolation, there will be free downloads once again – only this time with a difference. Unlike last summer’s Beethoven splashout, when all nine symphonies were reeled out over a fortnight and 1.4 million downloads were taken worldwide, the Wagner goodies are being strictly limited. What is being aired is the 1993 Bayreuth cycle conducted by Daniel Barenboim, this year’s Reith lecturer, and the BBC owns no further rights in the production. However, a freebie finger on www.bbc.co.uk/radio3 will point listeners to www.warnerclassics.com where they can help themselves to one track from each of the four operas, amounting in total to a Wagner happy half-hour. Warner are using the gift as a gateway to what it hopes will be a rush of web sales while the BBC is mending fences with the music industry which howled blue murder over Beethoven and acted as if Radio 3 was destroying its business when, in fact,
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