Requiem for a record store
News that a retail store in Norwich - 100 miles from London - is closing is unlikely to attract much attention. But the impending closure of Prelude Records, one of the few independent stores in the UK run by classical musicians for music lovers, will impact on the many readers of this blog all around the world. Many of the posts On An Overgrown Path have been inspired by chance discoveries in Prelude; the kind of chance discoveries which are simply not possible in algorithm-driven online stores. My life will undoubtedly be diminished by the closure of Prelude Records. So the Buddhist doctrine of dependent origination means the content of this blog - how long before it too goes the way of Prelude? - will be diminished, and that diminution will affect readers all round the world. Not to mention of course the musicians and small record companies whose viability will be diminished by a further reinforcement of the financial stranglehold of Apple Music, Spotify and other online gatekeepers. Proprietor Andrew Cane - seen above - explains the closure by a decline in business caused by downloads and streaming and says "It's not a sudden change, it's been a gradual erosion. The people who are still regulars are wonderful, but sadly, that's not enough".
My rites of passage playlist included the Moody Blues 1971 album Every Good Boy Deserves Favour which contains this prescient lyric: 'But I'm frightened for your children/That the life that we are living is in vain/And the sunshine we've been waiting for/Will turn to rain'. The closure of Prelude Records is just another small step from sunshine into the rain and darkness of Khali Yuga. Those who still believe the fiction of the 'axis of evil' should ponder on these wise words from Paul Levy's Dispelling Wetiko:
A civilization usually doesn't die from being invaded from the outside, but unless it creates culture which nourishes the evolution of the creative spirit, a civilization invariably commits suicide.Photo via EDP. Any copyrighted material is included as "fair use" for critical analysis only, and will be removed at the request of copyright owner(s). Also reluctantly on Facebook and Twitter.
How many jobs are there where you can spend all day listening to every major recording of a masterwork whilst discussing the merits of each with like-minded people? My CD collection is full of treasures from the shop: complete Mahler/Bernstein, Gould/Bach, the now deleted Knussen DG recordings. My favourite thing was to amass amazing budget CDs - Scherbakov's Shostakovich on Naxos, Muti's Rite of Spring/Pictures at an Exhibition on EMI etc...
A sad loss for music in Norwich and further afield.