Music from beyond the viral circle


Tomorrow the annual festival celebrating trance music and the role of women in the Sufi hadra tradition opens in Essaouira, Morocco. My recent photo essay explored how the workshops linked to this festival are banging the drum for oppressed women musicians. Much needed progress has been made towards giving women their rightful place in art music's celebrity culture. So it would be good if more attention was now paid to those women who make music in very difficult circumstances far beyond the reach of charmed viral circles.

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David Munrow - more than early music

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'David Munrow and the Early Music Consort of London transformed our view of medieval music. The impact of their performances far surparssed any that had gone before: by demonstrating how medieval music could sound normal, they created a niche for it in the concert hall and on record that it has never lost' ~ From Daniel Leech-Wilkinson's notes for Music of the Gothic era May 15 2007 is the thirty-first anniversary of the death of David Munrow. His contribution to the acceptance, understanding and performance of early music almost defies summary. He was born in 1942, and learnt the bassoon and recorder as a child. Between school and university he travelled and taught in South America , and started the collection of ethnic instruments that were to give him, and the world, a new perspective on early music making. He read English at Pembroke College , Cambridge, and was encouraged by Thurston Dart to take an active role in the music-making of that most musical of cities. ...
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Classical music must be doing something wrong

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Soundtrack for a porn movie

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The Berlin Philharmonic's darkest hour

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Classical music's biggest problem is that no one cares

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Look - no hype!

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