Every concert hall should have one


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Pliable said…
And every concert hall needs this as well - https://www.theguardian.com/music/2016/jun/30/apple-wins-patent-on-technology-to-stop-fans-filming-gigs
3:30 pm
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Who needs streaming?

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That's 3200 CDs and counting. More than enough to satisfy me until I shake off this mortal coil. Recent purchases include the following. Harry Van Der Kamp and the Gesualdo Consort Amsterdam's 17 disc box  Jan Pieterszoon Sweelinck: The Complete Vocal Works . Sweelinck is an important and overlooked composer who pioneered turning sacred music into an art form. From BIS Dark With Excessive Bright  by Missy Mazzoli; contemporary music that might just reach a wider audience recorded in stunning SACD sound . This new release is just more confirmation that the music industry let the genie out of the bottle by ditching CDs and embracing streaming, and then went on to murder the genie by opting for the MP3 format as the de facto audio standard.  And again from BIS and again in hi-res SACD,  Autumn Equinox by the Finnish composer Sebastian Fagerlund . There is so much quality new music coming from Scandinavian composers that is being buried under the current obsession w...
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Those are my principles....

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Norman Lebrecht: Slipped Disc and   Lebrecht Weekly, 12/05/2023   "Why I cannot, in good conscience, review this record I cannot, in all conscience, give this recording a star rating, or even a detailed review. The soloist is Elisabeth Leonskaja, a legendary pianist whose introspections are perhaps the strongest living reminder of her late friend Sviatoslav Richter....Christian Thielemann, in the recent film ‘Music under the Swastika’, claimed that Wilhelm Furtwängler’s complicity in the Third Reich was justified by his legacy of extraordinary recordings.  Leonskaya’s presence in Putin’s Russia is not dissimilar. What are we to make of them?... The performances, per se, have nothing to do with the present situation. And yet, everything.I cannot review them". . ..and if you don't like my principles... well, I have others . Norman Lebrecht: Slipped Disc , 19/11/2025 "The Muziekgebouw in Eindhoven has cancelled a December 4 concert by the Russian-Georgian Jewish pia...
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David Munrow - more than early music

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'David Munrow and the Early Music Consort of London transformed our view of medieval music. The impact of their performances far surparssed any that had gone before: by demonstrating how medieval music could sound normal, they created a niche for it in the concert hall and on record that it has never lost' ~ From Daniel Leech-Wilkinson's notes for Music of the Gothic era May 15 2007 is the thirty-first anniversary of the death of David Munrow. His contribution to the acceptance, understanding and performance of early music almost defies summary. He was born in 1942, and learnt the bassoon and recorder as a child. Between school and university he travelled and taught in South America , and started the collection of ethnic instruments that were to give him, and the world, a new perspective on early music making. He read English at Pembroke College , Cambridge, and was encouraged by Thurston Dart to take an active role in the music-making of that most musical of cities. ...
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Classical music can learn a lot from our feline friends

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Aleister Crowley was a practicioner of the occult, ceremonial magician and recreational drug experimenter. Sir Edward Elgar was Master of the King's Music, practising Catholic and composer of Land of Hope and Glory . A connection between the two may seem highly improbable. But this post explores a little known path linking Elgar to Crowley's world of the occult. In 1915 the actress Lena Ashwell asked Elgar to write the incidental music for a play she was producing. The Starlight Express was based on the recently published novel A Prisoner in Fairyland and the adaption was by the books' author Algernon Blackwood and Violet Pearn. Elgar's original intention was to reuse music from his early composition The Wand of Youth, but as the project progressed he added a substantial amount of new music to the score. The Starlight Express opened in London on 29th December 1915 to mixed reviews. The critical consensus was that the play was too long and the staging inappropriat...
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