The answer my friend is changing with the wind

"A forthcoming book by Geoff Baker, lecturer at Royal Holloway, University of London, is puffed in the Guardian today on claims that it unpicks the Venezuelan music system that has been adulated and adopted the world over... None of this is substantiated in Dr Baker’s article in the Guardian, which offers nothing more than general assertions... My own limited contacts with El Sistema graduates have yielded few suspicions of dissent or dissatisfaction on their part." - Norman Lebrecht writes on November 12, 2014*

"Gabriela Montero has spoken out forcefully against the pressures used by the Venezuelan regime to use El Sistema as a tool for its violent, corrupt and incompetent leadership and in support of its anti-US stance... Gabriela, who lives in the US, has nonetheless taken considerable personal risks in speaking out against the regime. It would be unfortunate, to say the least, if El Sistema supporters in the US and Europe were to take against her as a result of her courageous stance" - Norman Lebrecht writes on April 8, 2015*
* Indirect links are used when referencing Lebrecht's writings to avoid contributing to click bait inflation; the referenced material should appear at the top of the Google search results. Photo via the LooseLeaf Report. Any copyrighted material is included as "fair use" for critical analysis only, and will be removed at the request of copyright owner(s). Also on Facebook and Twitter.

Comments

Philip Amos said…
I'm close to losing all patience with certain blogs, ones I usually look at via All-Top. The quotations are classic Lebrecht. He self-destructs, for very occasionally his reporting is accurate, though his own comments rarely are. His problem is that unless you are already 'in the know', you can't rely on his reporting, certainly not his opinions, because he constantly self-contradicts.

His short report on the appointment of Piers Lane as Director of the Sydney Piano Competition is a little too blunt, but true. On the other hand, JD writes a rather ludicrously overblown blurb about the "respected" Sydney event, when a careful listen to the interview with Lane to which she herself provides a link, makes it clear that Lane's opinion is that the usual shenanigans have lost the competition respect and he intends to remedy that. He says this gently, but when you hear he intends to exclude from juries anyone who has prior acquaintance with competitors -- teachers, in short -- you know what he's getting at. And he has more to say. JD really needs to regain at least a little subtlty, for her post re an interview with writer Bernieres astonished me by putting at the start a longish paragraph on the wonders of Fera at Claridges. What is this now -- the Michelin?

Lastly, in the entire Sistema debate, one thing is ever-annoying: Blaming the Sistema rather than whatever use has been made of it by the Government, something still not satisfactorily clear to me, though I do not discount it. Blaming the system, as if it will result in the same in Scotland is, if I may be forgiven for knowingly extreme analogs, not much different logically from blaming hydrogen cyanide for the Holocaust or evil atoms for the atomic bomb.
1:28 pm
Pliable said…
Thanks, as ever, for that comment Philip. This post, like a previous one that mentioned "celebrity interviews over lunch at braggable restaurants", has what I term a high discomfort ratio. This measures the ratio of readership (very high) to public comment for or against (very low). That high discomfort ratio tells us a thing or two about classical music today.
1:51 pm
Post a Comment

Recent popular posts

Classical music's next big thing is Karajan 2.0

Image
Anybody who has been around the classical music industry for some time will be struck by the remarkable similarity between the portrait of Mirga Gražinytė-Tyla on the cover of her first release for Deutsche Grammophon and Siegfried Lauterwasser 's brooding photo of Herbert von Karajan used on Deutsche Grammophon's 1979 vinyl release of the Beethoven Symphonies seen below. I tread on very dangerous ground here as expressing anything other than effusive praise for Mirga Gražinytė-Tyla simply prompts the usual social media tongue lashing . So let me make it clear right now that this release of symphonies  by the neglected Mieczysław Weinberg is very laudable . Moreover, let me also make it clear that there has never been a single artistic or personal criticism of Mirga Gražinytė-Tyla on this blog. But what I have expressed several times are reservations about the way that classical music's next big things are marketed . That Beethoven cycle by Karajan was released f...
Read more

Travels beyond TripAdvisor

Image
These photos were taken on my recent spirit quest in Morocco to the Sufi shrine of Sidi Chamharouch, which is seen above. A 75 minutes drive from Marrakech brought me to Imlil where the road ends and the mountains begin. The hamlet of Sidi Chamharouch - which is one of those blessed places which returns a blank in a Trip Advisor search - is at an altitude of 2350 metres and is reached by a tough and potentially dangerous two hour climb up a rocky path. Access is impossible for wheeled vehicles and supplies are brought in by the mules seen in my photos. Beyond Sidi Chamharouch is Jebel Toubkal, which at 4,167 metres is the highest mountain in North Africa. During my trek I was struck by the similarity between the High Atlas and Ladakh on the border of India and Tibet . Film director Martin Scorsese was also struck by the similarity. With Tibet a no-go zone he used this region for location shooting of his 1997 movie Kundun ; this depicts the Dalai Lama 's flight into exile fro...
Read more

The purpose of puffery and closed-mindedness

Image
Two contrasting responses from America to my post Third rate music on Naxos' American classics? Flinging merde - ' Granted some of the stuff that Naxos has packaged in that series has been less than distinguished but operating in a cultural establishment where critics treat every cow patty ever dropped by the likes of Alwyn (above) and Bax and Finzi and Michael Tippitt (sic) as if it were fois gras, Clements is hardly in a position to fling merde' - from Sequenza21 , and I'm sure Norman Lebrecht would approve of that misspelling of Tippett. The true beauty of the effort - ' Personally speaking I expect listener reaction to concert music is heavily dependent on emotional mood and cultural/historical context . The concept of "ratings" and "tiers" for composers is pretty much an over-rated specialization of critics, which serves the purpose of puffery and closed-mindedness. My father is the American composer George Frederick McKay (photo be...
Read more

BBC Proms and the tyranny of the children’s encyclopedia

Image
As the annual administrative behemoth known as the BBC Proms lumbers into motion, filling the national ether with its familiar blend of civic piety and corporate branding, one is forced to confront a recurring fatigue.To listen to BBC Radio 3’s broadcasts of these mammoth London concerts is to witness a curious ritual of cultural containment. Before a note of Vaughan Williams or a forgotten rarity by Jonathan Harvey can safely enter the acoustic space, it must first be sanitized. The listener is subjected to presenters topping and tailing each masterwork with breathless, patronizing trivia, as if lifting entries straight from an illustrated children’s encyclopedia of classical music. One hears the familiar, smug cadence—that unmistakable institutional voice which assumes that the public cannot possibly encounter sound unmediated by narrative hand-holding.  The star system versus the art  The modern Proms season operates less as a sanctuary for deep listening and more as an e...
Read more

Norman Lebrecht blusters as blogs bloom

Image
In today’s Evening Standard and online Norman Lebrecht declares ‘until bloggers deliver hard facts … paid for newspapers will continue to set the standard as the only show in town’ and goes on to take a swipe at On An Overgrown Path’s story about the BBC King’s College broadcast . Now I don’t think for a moment Stormin’ Norman has an axe to grind even if he does write for a paid for newspaper and presents a BBC Radio 3 programme , but his blustering cannot be ignored. Among the many accusations he flings around are that I do not deliver hard facts, I trade in unchecked trivia, and I did not check my story with the BBC, so let's look at these points. Not hard facts - I reported that the BBC had announced a 1956 Argo commercial recording as a 1954 BBC broadcast. Here is a transcript from the broadcast of the presenters introduction: ' This week's broadcast of choral evensong.... Today, a stunning broadcast from 1954, a service from the chapel of King's College Ca...
Read more

I am not a Classic FM housewife

Image
Having returned from travels in a distant land I was looking forward to listening to BBC Radio 3's Proms broadcasts. But it wasn't to be, because after just two concerts I have given up. For me, even great music-making cannot survive Radio 3 presenters topping and tailing each work with endless quotes from a children's encyclopedia of classical music punctuated by smug info-commercials.  There has been much self-congratulation by Radio 3 about audience gains; however audience data shows that increase has been achieved by poaching Classic FM's listeners. Despite Radio 3's audience increase, the UK classical radio audience is not increasing. Because listeners are simply moving from Classic FM to Radio 3. In fact the total classical radio audience is decreasing . Under ex-Classic FM supremo Sam Jackson, BBC Radio 3's strategy of taking listeners from Classic FM was initially targeted at the daytime housewife audience. But that strategy has now been applied to even...
Read more

Master musician who experienced the pain of genius

Image
On that sleeve for his 1985 recording of the Goldberg Variations , Scott Ross is seen standing in the grounds of Château d'Assas in Languedoc. It was here that many of the harpsichordist's great recordings were made. Then, as today, the château dwelt in the twilight zone between grandeur and dereliction, and thirty years ago the recording sessions were regularly interrupted by the sound of rats scurrying across the floor. Scott Ross was born in Pittsburgh in 1951, and moved to France with his mother following the death of his father in 1964. He studied at the conservatoires in Nice and Paris, and first came to Château d'Assas in 1969 to give music lessons to the grandson of its owner Mme. Simone Demangel . When an early music academy was established at the Château d'Assas, Scott Ross gave masterclasses and became a frequent visitor. At first he stayed in a room in one of the towers, but from 1983 he rented a small house across the road from the château. The photos b...
Read more

Pie in the face for a dangerous buffoon

Image
The automobile laconically runs down pedestrians. It gnaws into the side of a barn or else, grinning, it flies down a slope. It can't be blamed for anything. Its conscience is... clear... It only fulfillls its destiny. It is destined to wipe out the world. from Russian writer Ilya Ehrenburg's , The Life of the Automobile , published in 1929. Worldwide three quarters of a million people are killed every year on the roads. More people between five and 44 die in car crashes in the Third World than are killed by any single disease. 3,508 people were killed in road accidents in 2003 in the UK, and 33,707 were seriously injured. 171 of those killed were children. Since 1899 motor vehicles have killed over 2.5 million Americans, and permanently injured 43 million. The Humane Society estimates that more than one million animals are killed every day on US roads. It has been estimated that motor vehicles kill more animals than the fur trade and animal experimentation industry combined, ...
Read more

While classical music debates nothing changes

Image
'This magic comes only with the sounding of the music, with the turning of the written note into sound - and it only comes (or comes most intensely) when the listener is one with the composer, either as a performer himself, or as a listener in active sympathy' - Benjamin Britten Recent articles here about whether classical music responds to mass marketing and social media have generated considerable interest. So I thought it worthwhile to create a straw model which summarises the thrust of the articles and that is the purpose of this post. The straw model is remarkably simple and is built around the following four propositions. 1. Classical music engages new audiences most effectively by direct transmission to what Britten describes as as "a listener in active sympathy". 2. Despite this classical music today is characterised by hypermediation, meaning there are more and more intermediary layers appearing between performer and audience. 3. These intermediary la...
Read more

Storm clouds gather over Aldeburgh

Image
On An Overgrown Path’s traffic logs show that the UK and international media are actively researching the private life of Benjamin Britten. One of the many failings of the BBC in the Jimmy Savile scandal was to assume that a potentially damaging story would simply go away. So, although I would much prefer to be writing about other things, I am reluctantly returning to the subject of Britten . I am a huge admirer of Britten’s music , I have written in praise of Aldeburgh , and Snape is my local concert hall . But for some time I have had a growing discomfort about certain aspects of the composer's private life, and this means I do not share the dismissive attitude that prevails elsewhere in classical music towards its continued scrutiny. And it also means I object to being labelled as a “smut-stirrer” for believing the subject should not be off-limits . The aspects of Britten’s personal life under scrutiny are public knowledge. In his eloquent appreciation of Britten in Th...
Read more