In his latest Spectator press release - sorry review - for John Wilson conducting the reincarnated Sinfonia of London, Richard Bratby credits the original Sinfonia with recording movie soundtracks from The Snowman to Vertigo . But he omits to mention that the Sinfonia of London and the Allegri String Quartet under Sir John Barbirolli made what is, arguably, the greatest classical recording committed to tape - Elgar's Introduction & Allegro for strings and Serenade for Strings in E minor, and Vaughan William's Fantasia on a Theme by Thomas Tallis & Fantasia on Greensleeves. Just another case of the if it ain't Mirga, Wilson, CBSO, Kanneh-Mason, or film music , don't spin it syndrome. New Overgrown Path posts are available via RSS/email by entering your email address in the right-hand sidebar. Any copyrighted material is included for critical analysis, and will be removed at the request of copyright owner(s).
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http://home.snafu.de/djwolf/vitae.htm#Bio
I endorse DJW's comment re the Peter Principle. It is, in fact, proven countless times every day, in every field of endeavour there is. The problem is that the PP was so obviously fitting for jokes on talk shows and in comedy acts, that the very true and serious nature of it was never really taken seriously when it was first published and hasn't been since other than by a few.