Doggie mandala


Photo was taken by me at the Tibetan Buddhist Hemis monastery in Ladakh. The visual link to Jonathan Harvey's Body Mandala can be found here and the esoteric link to Le Sacre du Printemps can be found here.

Photo is (c) On An Overgrown Path 2014. Also on Facebook and Twitter.

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Travels beyond TripAdvisor

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These photos were taken on my recent spirit quest in Morocco to the Sufi shrine of Sidi Chamharouch, which is seen above. A 75 minutes drive from Marrakech brought me to Imlil where the road ends and the mountains begin. The hamlet of Sidi Chamharouch - which is one of those blessed places which returns a blank in a Trip Advisor search - is at an altitude of 2350 metres and is reached by a tough and potentially dangerous two hour climb up a rocky path. Access is impossible for wheeled vehicles and supplies are brought in by the mules seen in my photos. Beyond Sidi Chamharouch is Jebel Toubkal, which at 4,167 metres is the highest mountain in North Africa. During my trek I was struck by the similarity between the High Atlas and Ladakh on the border of India and Tibet . Film director Martin Scorsese was also struck by the similarity. With Tibet a no-go zone he used this region for location shooting of his 1997 movie Kundun ; this depicts the Dalai Lama 's flight into exile fro...
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I am not a Classic FM housewife

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Having returned from travels in a distant land I was looking forward to listening to BBC Radio 3's Proms broadcasts. But it wasn't to be, because after just two concerts I have given up. For me, even great music-making cannot survive Radio 3 presenters topping and tailing each work with endless quotes from a children's encyclopedia of classical music punctuated by smug info-commercials.  There has been much self-congratulation by Radio 3 about audience gains; however audience data shows that increase has been achieved by poaching Classic FM's listeners. Despite Radio 3's audience increase, the UK classical radio audience is not increasing. Because listeners are simply moving from Classic FM to Radio 3. In fact the total classical radio audience is decreasing . Under ex-Classic FM supremo Sam Jackson, BBC Radio 3's strategy of taking listeners from Classic FM was initially targeted at the daytime housewife audience. But that strategy has now been applied to even...
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Leaders destroy followers and followers destroy leaders

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That photo of Marrakech's celebrated Jemma el-Fnaa was taken by me a few weeks ago. One of the books that illuminated my visit to the Red City was Stephen Davis' To Marrakech by Aeroplane . Stephen is best known as the biographer of Led Zeppelin, Bob Marley and the Rolling Stones, and ghost writer for Michael Jackson, but he also collaborated with me on a two part feature about the Master Musicians of Jajouka , who come from the Rif Mountains in the north of Morocco. Performance artist Brion Gysin , who was a long time resident of Morocco, played a pivotal role in bring the Master Musicians to the attention of Brian Jones , and it was the Rolling Stones' posthumously released album of their music which introduced the Master Musicians to an international audience. To Marrakech by Aeroplane , which is rich in anecdotes about Brion Gysin's Moroccan circle, is published by Inkblot Publications , and that Rhode Island based independent publisher has also made available ...
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Norman Lebrecht blusters as blogs bloom

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In today’s Evening Standard and online Norman Lebrecht declares ‘until bloggers deliver hard facts … paid for newspapers will continue to set the standard as the only show in town’ and goes on to take a swipe at On An Overgrown Path’s story about the BBC King’s College broadcast . Now I don’t think for a moment Stormin’ Norman has an axe to grind even if he does write for a paid for newspaper and presents a BBC Radio 3 programme , but his blustering cannot be ignored. Among the many accusations he flings around are that I do not deliver hard facts, I trade in unchecked trivia, and I did not check my story with the BBC, so let's look at these points. Not hard facts - I reported that the BBC had announced a 1956 Argo commercial recording as a 1954 BBC broadcast. Here is a transcript from the broadcast of the presenters introduction: ' This week's broadcast of choral evensong.... Today, a stunning broadcast from 1954, a service from the chapel of King's College Ca...
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The purpose of puffery and closed-mindedness

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Two contrasting responses from America to my post Third rate music on Naxos' American classics? Flinging merde - ' Granted some of the stuff that Naxos has packaged in that series has been less than distinguished but operating in a cultural establishment where critics treat every cow patty ever dropped by the likes of Alwyn (above) and Bax and Finzi and Michael Tippitt (sic) as if it were fois gras, Clements is hardly in a position to fling merde' - from Sequenza21 , and I'm sure Norman Lebrecht would approve of that misspelling of Tippett. The true beauty of the effort - ' Personally speaking I expect listener reaction to concert music is heavily dependent on emotional mood and cultural/historical context . The concept of "ratings" and "tiers" for composers is pretty much an over-rated specialization of critics, which serves the purpose of puffery and closed-mindedness. My father is the American composer George Frederick McKay (photo be...
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Storm clouds gather over Aldeburgh

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On An Overgrown Path’s traffic logs show that the UK and international media are actively researching the private life of Benjamin Britten. One of the many failings of the BBC in the Jimmy Savile scandal was to assume that a potentially damaging story would simply go away. So, although I would much prefer to be writing about other things, I am reluctantly returning to the subject of Britten . I am a huge admirer of Britten’s music , I have written in praise of Aldeburgh , and Snape is my local concert hall . But for some time I have had a growing discomfort about certain aspects of the composer's private life, and this means I do not share the dismissive attitude that prevails elsewhere in classical music towards its continued scrutiny. And it also means I object to being labelled as a “smut-stirrer” for believing the subject should not be off-limits . The aspects of Britten’s personal life under scrutiny are public knowledge. In his eloquent appreciation of Britten in Th...
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A sound is born

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The photo above shows music history being made. It was taken yesterday at the acoustic test for the new Britten Studio at Snape, and shows the new hall filled with the invited audience who were about to hear the first ever live music in the new auditorium. Leading young musicians performed a range of chamber and vocal works, including pieces by Haydn, Debussy, Vaughan Williams and Rebecca Clarke . The music was specially selected to allow acoustic experts to assess the sound of the hall with an audience in situ. The Britten Studio is at the centre of the Snape creative campus development that I previewed here in 2006 . It is a stone's throw from the legendary Snape Maltings Concert Hall , which for four decades has been the gold-standard for concert hall acoustics. When Snape Maltings was created from disused industrial buildings in 1967 the new concert hall was acclaimed for its 'radical traditionalism' as well as its superlative sound. Over the years the surface textures ...
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Gerontius - that is a sublime masterpiece

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On 29 September 1958 John Barbirolli conducted Part 1 of Gerontius with the Dublin Choir in the presence of Pope Pius XII at Castel Gandolfo, only a few days before the Pope's death. 'I have often wondered', he wrote, 'what the feelings of Newman and Elgar would be if they could know that the last music [the Pope] heard had been Elgar's setting of Newman's words "Go forth upon thy journey, Christian soul". As Barbirolli knelt before him, the Pope said: 'Figlio mio, questo e un capolavoro sublime' ('My son, that is a sublime masterpiece'). The header photo shows Sir John Barbirolli recording The Dream of Gerontius in 1964 in the Free Trade Hall , Manchester. No CD collection is complete without Barbirolli's Manchester account or Benjamin Britten's version which was recorded in Snape Maltings , the latter is now, thankfully, back in the catalogue - grab it while you can. Also noteworthy is the recent first-ever CD release ...
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EMI - it's a dog's life

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First the bad news. The fluctuating prospects of my EMI pension have been the subject of two previous posts . Now comes the news that Guy Hands , the new owner of ailing EMI, has removed the chairman of the company's pension fund and appointed his own nominee to the post. This is Money comments: The move was unusual since chairmen of pension fund trustees must be seen to be able to represent the interests of pensioners without fear of censure from the company financing the fund. Fortunately we still have many principled small businesses in the UK. But then there is the BBC and EMI ; not to mention HBOS, the bank that cost us, and many others, a serious amount of money . But now for the good news. The fine drawing above depicts that great conductor Sir John Barbirolli, who made many fine recordings for EMI . His masterly accounts of Elgar's First and Second Symphonies, recorded for HMV with the Philharmonia and Hallé Orchestras respectively, have been absent from their catalo...
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Why composer anniversaries do not win new audiences

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Data from an authoritative source shows that the strategy of focussing on composer anniversaries to raise classical music's public profile is not working. The graph above uses the Google Trends tool to measure online searches for the four main composers with anniversaries in 2013 - Verdi , Britten , Wagner ;and Lutoslawski *. Google Trends plots global volumes for specific search terms and my composite graph maps and compares the trend over eight years of searches for the four main 2013 anniversary composers with results indexed to 100. (Left click on the graphs to enlarge). Three main trends emerge from this analysis. The first is that, as the graph above shows, Verdi is consistently by far the most popular of the four composers. Hardly a revelation in itself; but the trend shows that despite Britten and Wagner undoubtedly receiving more promotional attention in 2013 - e.g. not one complete Verdi opera in the 2013 BBC Proms season and just three concerts including his music ...
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