Liberty resides in the rights of the music you find most odious
There has, quite rightly, been considerable criticism of the BBC's policy of exorcising new music from its recorded TV broadcasts of the Proms. Shortly after the Bill of Rights was drafted, English philosopher John Stuart Mill explained that: "Liberty resides in the rights of that person whose views you find most odious." This principle also applies to the arts, and in classical music liberty resides in the rights of the music you find most odious. The problem is that all of us have been party to the development of a culture where metrics - audience size and social media rankings - have become far more important than unfashionable concepts such as principles, rights, liberty, creativity and integrity. Would Le Sacre du Printemps have received a second performance in an age when classical music has become nothing more than a reality TV show where the audience decides which music will survive?
Difficult to choose an appropriate graphic while avoiding stigmatising the music portrayed as odious. But I have chosen the CD set of Dieter Scnebel's Missa which I tactfully described in an earlier post as being at the ragged edge of modernism. Any copyrighted material is included as "fair use", for the purpose of critical analysis only, and will be removed at the request of copyright owner(s). Also on Facebook and Twitter.