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Travels beyond TripAdvisor

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These photos were taken on my recent spirit quest in Morocco to the Sufi shrine of Sidi Chamharouch, which is seen above. A 75 minutes drive from Marrakech brought me to Imlil where the road ends and the mountains begin. The hamlet of Sidi Chamharouch - which is one of those blessed places which returns a blank in a Trip Advisor search - is at an altitude of 2350 metres and is reached by a tough and potentially dangerous two hour climb up a rocky path. Access is impossible for wheeled vehicles and supplies are brought in by the mules seen in my photos. Beyond Sidi Chamharouch is Jebel Toubkal, which at 4,167 metres is the highest mountain in North Africa. During my trek I was struck by the similarity between the High Atlas and Ladakh on the border of India and Tibet . Film director Martin Scorsese was also struck by the similarity. With Tibet a no-go zone he used this region for location shooting of his 1997 movie Kundun ; this depicts the Dalai Lama 's flight into exile fro...
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Elgar's other enigma

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Like Pliable Elgar was a keen cyclist , here he is in Malvern with his much-used Sunbeam tourer. Jessica Duchen's classical music blog about Edward Elgar's birthplace at Broadheath, Worcestershire reminded of a link to him sitting on my bookshelf. The score of Elgar's Violin Conerto contains an enigmatic dedication in the form of a mysterious Italian phrase - "Acqui esta encerrada el alma de" - followed by five dots; meaning that the identity of the dedicatee of this perenially popular work is unknown. Some years ago I bought a second hand copy of the autobiography of Mrs Richard Powell, 'Dorabella' of the tenth of the Enigma Variations ('Edward Elgar - Memories of a Variation published by Methuen). Stuck into the book are hand written letters and postcards sent to the original owner by Mrs Powell who was then living in East Grinstead. A letter of 12th Feb 1950 from Mrs Powell in her own hand writing says the following ... "What a curious fac...
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What price the BBC Proms?

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My life was changed by a Henry Wood Promenade Concert on 4th August, 1975. In the second half Sir Adrian Boult gave us Vaughan William's Fifth Symphony , and the blazing intensity of that performance remains unmatched, in my experience, in the concert hall or on record. Sir Adrian's 86 years had no relevance to his music making. Music, not age, was what mattered then. In the summer of 1975 punk was at its peak and the Vietnam War had ended after Communist forces took Saigon in the spring. Back with classical music, Pierre Boulez was in his last season as principal conductor of the BBC Symphony Orchestra, which was at the top of its game , while William Glock's golden period as BBC controller of music and Proms administrator still informed music making in London. Your life could be changed for £1.30, which was the price of a balcony seat in the Albert Hall. All of which set me thinking, what price today's BBC Proms? In 2009 Promenade Concerts are one of few remaining...
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Philip Glass half empty

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As a big fan of both Philip Glass and Tenzin Choegyal I greatly admired their collaboration on the 2020 album The Last Dalai Lama . So I was particularly looking forward to their Be The Sky project. This was released by Philip Glass' Orange Mountain Music (OMM) label as a download last year to celebrate the 90th birthday of the His Holiness the Dalai Lama , and has only just appeared as a CD release .  Unsatisfactoriness - dukkha (Pali) - is at the core of Buddhist teachings. It describes an inherent sense of unease, incompleteness, or imperfection underlying all worldly experiences. Which, unfortunately, pretty well sums up Be The Sky .  Dukkha sets in from the start of the first track Snowy Mountains which features  the choir of the Tibetan Children's Village in Dharamsala . Tenzin Choegyal's dranyen (3-stringed Tibetan lute) is far too prominent and the mix is skewed heavily to the left channel. As on Heart Strings , which was the stand out track on The...
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Critical Mass

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I'm a big fan of Marin Alsop . But last night her BBC Prom performance with the Bournemouth Symphony Orchestra playing her own sequence of the suites from Prokofiev's Romeo and Juliet was strangely unsatisfying. Tempi were pulled around, and rather than adding to the tension the wayward performance weakened it. When it finished I wanted some 'in your face' music making that was over the top, but which really worked. So as Marin Alsop was a pupil of Bernstein's I put on his 1971 recording of his own Mass , a work I don't listen to very often. Is Mass Bernstein's unrecognised masterpeice? Or is it a failed experiment in using the vernacular and exploiting street chic? (But wasn't the 'parody mass' a legitimate renaissance musical form which exploited contemporary music such as L'homme arme ?) My view used to be that Mass was simply a failed experiment, but I have to confess I am slowly moving towards the view that it may be a misunderstood m...
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I don't worry about status

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My photo shows Sir Colin Davis conducting the Chamber Orchestra Anglia in Elgar's First Symphony in an open work shop yesterday afternoon at the Norwich Festival . We talked to the 80 year old Sir Colin after he had topped two full length rehearsals with a full-on play through of the three last movements of the symphony. I commented to him that there weren't too many conductors of his status who would give up a day to rehearse a student orchestra. Back in a flash came his reply - 'Oh you see, I don't worry about status '. The student musicians really played their heart's out for Sir Colin. But, as my photo below shows, they do seem to have picked up some of the bad habits of their professional colleagues. (Why is it always the brass players?) More on Sir Colin and Elgar 1 here . Photos (c) On An Overgrown Path 2008. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk
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Most music is only meant for a certain group of people

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Back in 2016 I recounted how I was impressed and moved by Anna Thorvaldsdottir's In the Light of Air . Recently I have been similarly impressed and moved by her Archora and Aion performed by the Iceland Symphony Orchestra, conducted by Eva Ollikainen. Anna Thorvaldsdottir's music combines the two essential of being both accessible and challenging. And, sadly, it is that challenge that probably explains why her music has failed to gain the traction it deserves in todays comfort zone-delimited culture .    Today it is perfectly acceptable, no praiseworthy - for classical music and other great art to be tailored to the needs of the lowest common denominator. It is less acceptable - no politically incorrect - to echo Benjamin Britten's credo that " Music demands ... some preparation, some effort ". So, at the risk of once again being politically incorrect, I reprise the words of another great under-appreciated woman musician, Alice Coltrane . This quote comes from...
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John Cage's crazy creativity

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Crazy wisdom, as exemplified by the celebrated but controversial  Chögyam Trungpa Rinpoche , is wisdom gone wild. It is wisdom expanded beyond conventional intelligence and beyond the concept of ordinary people. Similarly, crazy creativity is creativity gone wild, and the importance of the threatened art of crazy creativity is seriously underestimated in today's  algorithmically flattened culture .  Social psychologist and scholar Donald T. Campbell   has proposed that dependence on random mutation does not just apply to human evolution, but also to creative evolution. So no random mutation in the creative process means no development. All creativity depends on taking old ideas and combining them in new, unusual, and sometime wrong ways. Without this vital mutation there would be no variability, meaning all art would become nothing more than a replica of the preceding art.  John Cage's pioneering work is one outstanding example of crazy creativity combinin...
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BBC Proms and the tyranny of the children’s encyclopedia

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As the annual administrative behemoth known as the BBC Proms lumbers into motion, filling the national ether with its familiar blend of civic piety and corporate branding, one is forced to confront a recurring fatigue.To listen to BBC Radio 3’s broadcasts of these mammoth London concerts is to witness a curious ritual of cultural containment. Before a note of Vaughan Williams or a forgotten rarity by Jonathan Harvey can safely enter the acoustic space, it must first be sanitized. The listener is subjected to presenters topping and tailing each masterwork with breathless, patronizing trivia, as if lifting entries straight from an illustrated children’s encyclopedia of classical music. One hears the familiar, smug cadence—that unmistakable institutional voice which assumes that the public cannot possibly encounter sound unmediated by narrative hand-holding.  The star system versus the art  The modern Proms season operates less as a sanctuary for deep listening and more as an e...
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Our politicians face the music

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1. Tangled Up In Blue , Bob Dylan 2. Ernie , Benny Hill 3. Wish You Were Here , Pink Floyd 4. On Wings of Song, Mendelssohn, Kiri Te Kanawa and Utah Symphony Orchestra 5. Fake Plastic Trees , Radiohead 6. This Charming Man , Smiths, 7. Perfect Circle , R.E.M, 8. All these Things that I've Done , The Killers If the Conservatives win tomorrow's general election that list will be the musical tastes of our new prime minister, David Cameron. He chose those tracks in 2006 for the BBC's long running Desert Island Discs programme. It prompted a wonderful rant from Peter Maxwell Davies who described it as 'musical garbage' . Gordon Brown appeared on the programme back in 1996 and his choices were only marginally more inspiring: at least there was no Benny Hill and there was Bach, albeit predictably the Suite for Orchestra No 3 in D major. When Nick Clegg appeared on Michael Berkeley's Private Passions programme on BBC Radio 3 in 2008 his selection was notably eclectic ...
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