Lost in explanation


Can you imagine music without explanation?

Elmediator is a multi-genre and multimedia performance venue in Perpignan, France. This post is also available via Facebook and Twitter.

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The concert would not be worth presenting

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The purpose of puffery and closed-mindedness

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That photo of Sir Malcolm Arnold and Julian Bream appears on the late composer's website . Ten years ago I was literally very close to Sir Malcolm's music. He spent his final years being tended by his carer Anthony Day in Attleborough just a few miles from where I live in Norfolk. I managed Sir Malcolm's website and one of my first posts  about his music dates from that time. Following Sir Malcolm's death in 2006 I never lost my appreciation of his music, but it featured less frequently in my listening. However, recently I have returned to his symphonies, and listening to them again has raised some important questions. His nine symphonies are the product of a master craftsman. They move forward from Mahler and Shostakovich, yet should be immediately accessible to contemporary audiences saturated in the music of those two composers. But, despite this, Sir Malcolm Arnold's symphonies remain unknown outside a small circle of admirers. Why? Let me make it clear ...
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New music from the old world

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Death on an unimaginable scale

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Dreadful though it would have been if 12 passenger jets had been blown up over American cities, how can this be described as death on an "unimaginable" or "unprecedented" scale? The daily kill rate over the first two months of the Rwandan genocide averaged 11,500. Is that more imaginable because the people were African? Letter from Rev Jenny Dyer , Coventry, in today's Guardian Image credit - BBC News: Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk If you enjoyed this post take An Overgrown Path to The act of killing from 20,000 feet
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Exclusive - David Munrow on the record

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My Future Radio programme on Sunday December 30th takes an exclusive look at David Munrow on the record . In the early 1970s the scores for the BBC TV series The Six Wives of Henry VIII and Elisabeth R brought David Munrow’s music to millions. His Pied Piper radio programme was broadcast four times a week for five years, he presented a successful TV series, and wrote the scores for several major feature films including Ken Russell’s The Devils and the film version of HenryVIII (sleeve below). David Munrow's interest in early music started when he taught in Peru before going up to Cambridge. He combined reading English at Pembroke College with independent studies of Renaissance and medieval music, and went on to form his famous Early Music Consort of London. Under his leadership the Early Music Consort became best-selling recording artists, and David Munrow’s records were considered so important that copies of them were sent to Saturn on board two NASA spacecraft in 1976. ...
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The composer without a shadow?

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If you want to start a fascinating thread write about Leonard Bernstein's Mass . Here are some comments from my most recent Mass post : Movie commented - It's not a dishonest piece and I think it still works today . I commented - But what are examples of dishonest pieces of music? Pentimento commented - I'd say much of Strauss's oeuvre is dishonest. I couldn't live without Metamorphosen , Capriccio or the wind concertos, and one of my most memorable, and disturbing, evenings in the opera house was Hildegard Behrens singing the title role in Salome with Karajan and the Vienna Philharmonic at the 1977 Salzburg Festival . But, despite that, you may be right Pentimento. Which leaves me with only one possible back link - Herbert von Karajan Ein Heldenleben Sorry I cannot credit the lovely portrait of Richard Strauss (I do hope you meant Richard and not Johann, Pentimento), but I do not know who it is by. It comes from Ferdinand Von Galitzien's blog . Help with ...
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As a Wagner conductor he has no equal

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The Guardian 's recent obituary of the great Wagnerian bass-baritone Norman Bailey linked to my 2007 post  'Reginald Goodall – the holy fool', which prompts me to revisit that article. My appreciation was written while YouTube was in its infancy, and in the intervening years some invaluable Reginald Goodall resources have been uploaded. These include an excellent full-length 1984 BBC Omnibus documentary ' The Quest for Reginald Goodall ', a complete English National Opera 1973 Siegfried , and a 1954 Die Walküre Act 1 . Also on YouTube is Act 3 of Parsifal from the 1987 Prom s; this was Reginald Goodall's last public concert and David Cairns' review of it is quoted at the start of my original post and provides my headline for this article. Did Reginald Goodall really deserve the sobriquet ' Holy Nazi conductor '? Of course some of his personal views were abhorrent. But so were those of other classical folk heroes including, of course...
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