My personal overgrown path is leading back to the radio studio, and that has set me thinking recently about how to create programmes that are distinctive, inclusive and personal. Over in Holland the creator of Big Brother , Endemol , has its own formula for distinctive broadcasting, and this week launches De Grote Donorshow ( The Big Donor Show ) which gives three dialysis patients the chance to win a dying woman's kidney - or not. Back in 1969 Glenn Gould took a different approach to producing great broadcasting when he created his 'contrapuntal radio documentary' The Latecomers . The main subject was the new Canadian province of Newfoundland , but there was a second subject of solitude, isolation and non-conformity seen from a cultural perspective. The Latecomers , with its basso continuo of the ocean, is both a land-mark in twentieth-century broadcasting and a seriously neglected aspect of Gould's work. Now, thanks to reader Walt Santner, you can hear the whole
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With regard to the main question, I picture most people listening to the computer playing the Goldberg out of curiosity and then moving on. If it did indeed play the work like Gould, the point would escape me altogether, though they did well to constantly invoke Gould's name, for his obsession with the perfect recording suggests one performance fixed in time, which I take it is what the computer 'performance' would also be.
That brings to mind those artists -- Curzon, Serkin, et al. -- who had to be dragged to the studio, or Celibidache, who wouldn't record in a studio at all, because the idea of a fixed performance was alien to them. And so, we have fixed performances from Gould and a computer, but I think there are few of us who would not turn to Perahia, Hewitt, Tureck et al. for greatly varied performances, and the concert hall where inspiration of the moment (notable with Arrau, Cherkassky, though I'm straying from the Goldberg again here) may make for magic moments.
So, no, we don't NEED genius robots. But I was delighted that your blog was mentioned and given due credit in the discussion, Bob, and in tones of such well-deserved respect.