Composing the polyphony of ideas

'Though distrustful of logical chains of ideas, I loved the polyphony of ideas. As long as you don't believe in them, the collision of two ideas - both false - can create a pleasing interval, a kind of diabolus in musica. I had no respect for some ideas people were willing to stake their lives on, but two or three ideas that I did not respect might still make a nice melody. Or have a good beat, and if it was jazz, all the better.'
Umberto Eco writing in Foucault's Pendulum gives the lie to our hypermediated society which silences the all-important polyphony of ideas. Header photo shows Quator PercuCIMO in the Benedictine Abbey Church of Saint-Jean d’Orbestier in Château-d'Olonne, France. Adding to the polyphony of ideas in the 12th century church was the artwork by Bernard Philippeaux seen below. More on the importance of the diabolus in musica here.


Also on Facebook and Twitter. Photos are (C) On An Overgrown Path. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot

Comments

Recent popular posts

Does it have integrity and relevance?

Closer to Vaughan Williams than Phil Spector

The Berlin Philharmonic's darkest hour

Colin McPhee - East collides with West

Why new audiences are deaf to classical music

Your cat is a music therapist

Vonnegut gets his Dresden facts wrong

Master musician who experienced the pain of genius

David Munrow - more than early music

Nada Brahma - Sound is God