It may be my age, but those moments when a piece of music really hits me in the solar plexus seem to get rarer and rarer. But during my recent extended travels in India I was metaphorically punched time and time again when listening to ECM's Codona recordings on headphones. Recent posts have touched on the potential of virtual concert halls and the fact that no one mixes for speakers these days , and the Manfred Eicher produced Codona sessions from between 1978 and 1982 really demonstrate the impact of the up close and personal sound of headphones . The line up for Codona was African-American trumpeter Don Cherry, Brazilian percussionist Nana Vasconcelos, and Colin Walcott on sitar, tabla, hammered dulcimer, sanza, timpani, and voice. The band took its name from a circus trapeze act of the early 20th century called the Flying Codonas , and the three albums packaged by ECM for CD as The Codona Trilogy capture the peerless musicians-beyond-frontiers performing their creative hig
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But on the EMI business, I just wanted to say that I got a real shock the morning I clicked on my link to the Naxos Music Library and found myself reading a notice that Naxos would henceforth be distributing the EMI catalogue: All of it, from Beatrice Harrison to Leif Ove Andnes. They estimate it will take them three months to add the whole lot to the Library. The Boult recordings added thus far have been enough to keep me occupied for a while, and some I never thought to hear, as also recordings of others. And, I must add, they are now also the distibutor for Virgin. There's significance in here somewhere, though I've not yet fathomed it Perhaps I'm too busy avidly listening.