Was the critic at the same concert as the rest of us?
Consensus is that although Gustavo Dudamel's Mahler Prom with the Simón Bolívar Symphony Orchestra had its high spots it also had its low spots. Which raises the questions as to whether the critic who penned the five star review seen above was listening to the same concert as the rest of us. But then, with their chief arts writer Charlotte Higgins supplying sleeve notes for Dudamel's Simón Bolívar Orchestra Mahler recordings and contributor Tom Service also presenting Proms for the BBC I wonder whether comment really is free at the Guardian these days?
* 'Comment is free but facts are sacred' are the words of celebrated Guardian editor C.P. Scott. Now follow the path from Dudamel to Barbirolli.
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