What price music journalism?


Music journalism may be dying, but lecturing in music journalism is alive and kicking.

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Pliable said…
Talking of which - http://www.soundsandfury.com/soundsandfury/2011/07/brief-and-to-the-point.html
1:57 pm
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David Munrow - more than early music

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'David Munrow and the Early Music Consort of London transformed our view of medieval music. The impact of their performances far surparssed any that had gone before: by demonstrating how medieval music could sound normal, they created a niche for it in the concert hall and on record that it has never lost' ~ From Daniel Leech-Wilkinson's notes for Music of the Gothic era May 15 2007 is the thirty-first anniversary of the death of David Munrow. His contribution to the acceptance, understanding and performance of early music almost defies summary. He was born in 1942, and learnt the bassoon and recorder as a child. Between school and university he travelled and taught in South America , and started the collection of ethnic instruments that were to give him, and the world, a new perspective on early music making. He read English at Pembroke College , Cambridge, and was encouraged by Thurston Dart to take an active role in the music-making of that most musical of cities. ...
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Classical music must be doing something wrong

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Classical music's website of choice Slipped Disc  today runs a story on the latest RAJAR UK radio listening figures . This story states that a "...record number of individual hours was spent listening to [BBC Radio 3]. They must be doing something right". Which is good news; but only for those who believe that facts should never stand in the way of a good story. Because simple arithmetic shows that BBC Radio 3 is not doing very much right, while UK classical radio in its entirety is doing something wrong.   In the quarter ended September 2024, BBC Radio 3 and Classic FM audiences were 2.039m and 4.416m respectively. Which gives a total audience for the two classical stations of 6.455m. For the same quarter in September 2023 the audiences were 2.002m and 4.467m, giving a total classical radio audience 12 months previously of 6.469m.  So BBC Radio 3's "something right" turns out to be a fractional increase in its audience year on year, and a contribution ...
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The Accidental Pilgrim

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There are an awful lot of books around about the journey to Santiago de Compostela in particular, and pilgrimages in general; and let’s be quite truthful a lot of them are rather average. But one that stood out from the crowd for me was David Moore’s The Accidental Pilgrim which was published in 2004 as a paperback by Hodder Headline Ireland, and is available in both the UK and US. The serendipitous path that links these posts meant that I bought this book in the departures lounge at Stansted Airport en route to the Danish Thread Subtitled 'Travels with a Celtic Saint', The Accidental Pilgrim is the story of a 1500 mile bike ride by the author from Bangor in Northern Ireland to Bobbio in northern Italy via France and Switzerland. The journey follows in the footsteps of the Irish missionary Saint Columbanus who made the journey in the 6th Century. (Which coincidentally, and linked to other threads , was around the time that Gregorian Chant was emerging as the official musi...
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Soundtrack for a porn movie

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"No, you have not landed on Slipped Disc by mistake. Respected electronic music pioneer Klaus Schulze tells the story himself.  The origins of " Body Love " are quite funny. I received a call from a movie producer named Manfred Menz and I wound up becoming his principal composer for a period of time. Amongst others, I composed the "Barracuda" soundtrack for him [1978, previously unreleased on album]. This led to a friendship which lasts till today. Menz now lives in Malibu, California where I visited him a couple of years ago. Anyway, this guy calls me and asks if I would compose the score to a porn movie. I said: "Porn? Nah, I don't do that kind of thing".  As it turned out, the director of the movie, Lasse Braun, had already shot it and had used my albums " Timewind " [1975] and " Moondawn " [1976] as a kind of "working soundtrack". This was obvious because the couples in the film were moving in time to my gro...
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The Berlin Philharmonic's darkest hour

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Wilhelm Furtwängler was born on 25th January 1886. He was Music Director of the Berlin Philharmonic from 1923 to his death in 1954, and held this position for the twelve years that Hitler was in power. In January 1945 he was conducting in Vienna, and fled from there to Switzerland where he remained until the Battle of Berlin ended in the defeat of the Nazis. The musicians of his orchestra remained in Berlin during its darkest hour. Here is their story: On 28th March 1945 the Russian forces commanded by Marshal Georgy Zhukov were just twenty miles to the east of Berlin. A month previously Albert Speer had been replaced as Nazi armaments minister after trying to persuade Hitler that defeat was inevitable. Speer now turned his energies to preventing the musicians of his adored Berlin Philharmonic from perishing in the inevitable final battle. Reich Commisioner Dr Joseph Goebells, who was in charge of the defence of Berlin, had ordered the entire orchestra to be drafted into the Vol...
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Classical music's biggest problem is that no one cares

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These photos were taken by me in 2008 at independent record retailer Prelude Records in Norwich. Jordi Savall's impromptu viol recital and signing session preceeded two performances at the Norfolk and Norwich Festival. One was a solo recital by Jordi in Peter Mancroft Church ; the other was an immensely moving performance of his visionary Jerusalem multicultural project at the Theatre Royal*. As reported here Prelude Records closed earlier this year; it was a victim of predatory online retailing, and today its premises stand empty awaiting occupation by a mobile phone or E-cigarette retailer. The Norfolk and Norwich Festival has been the victim of savage funding cuts , but continues in a more modest form due to the dedicated work of its small management team. A few days ago I wrote about a two-thirds empty Snape Maltings concert and proposed that classical music's heartland is facing a perfect storm caused by the convergence of the shifts in consumer tastes and the r...
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Pie in the face for a dangerous buffoon

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The automobile laconically runs down pedestrians. It gnaws into the side of a barn or else, grinning, it flies down a slope. It can't be blamed for anything. Its conscience is... clear... It only fulfillls its destiny. It is destined to wipe out the world. from Russian writer Ilya Ehrenburg's , The Life of the Automobile , published in 1929. Worldwide three quarters of a million people are killed every year on the roads. More people between five and 44 die in car crashes in the Third World than are killed by any single disease. 3,508 people were killed in road accidents in 2003 in the UK, and 33,707 were seriously injured. 171 of those killed were children. Since 1899 motor vehicles have killed over 2.5 million Americans, and permanently injured 43 million. The Humane Society estimates that more than one million animals are killed every day on US roads. It has been estimated that motor vehicles kill more animals than the fur trade and animal experimentation industry combined, ...
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Wagner, Mahler and Shostakovich all sound like film music

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In a typically thoughtful contribution to my post Why not play the premier league composers more often? Richard Bratby - who is professionally involved in classical music - mused "speaking solely from my own experience - there is a very noticeable falling-off in ticket sales when a symphony orchestra programmes pre-Beethoven repertoire, irrespective of the quality of the performance or the music, or the energy with which it is marketed. But why?" Now Kea has answered Richard's question with the following comment: Wagner, Mahler, Shostakovich, etc, all sound more or less like film music (or -- more accurately -- film music sounds more or less like recycled bits of Wagner, Mahler, Shostakovich, etc) and therefore don't require any intellectual involvement or serious effort to listen to. Understanding the music of Bach, Mozart or Haydn, etc (or for that matter Schumann, Brahms, Webern, Cage, etc) actually requires people to listen actively rather than being pulled alo...
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Rise and fall of the most socially famous conductor

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Today we have a new pretender to the title of 'Face of the Proms' . But fifty years ago the Proms had a very different 'face' and the story of his rise and fall still has considerable relevance. Between 1947 and 1966 Sir Malcolm Sargent conducted no less than 508 Promenade Concerts * and from 1950 to 1957 was chief conductor of the BBC Symphony Orchestra. It was Sargent who first alerted the BBC to the TV ratings potential of the Proms with his theatrical Last Nights as seen above, and his heavyweight TV exposure made Sargent - nicknamed 'Flash Harry' - the first classical music household name in the UK. In an age where success is measured in social media impact it is significant that Nicholas Kenyon - who was director of the BBC Proms from to 1996 to 2007 - describes Sargent during his Proms tenure as "the most socially famous conductor in the country". But despite his popularity Sargent fell from grace with the BBC. His autocratic manner was di...
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Philippa Schuyler - genius or genetic experiment?

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A child prodigy fêted by Leonard Bernstein and Virgil Thomson, performed by five leading American orchestras while still a teenager, accompanied by the New York Philharmonic at age 16, ranked alongside Aaron Copland and Marc Blitzstein, mourned with a Pontifical Requiem Mass in St Patrick's Cathedral, New York, and the rumoured subject of a Hollywood biopic. That is the executive summary of an American musical legend who was born eighty years ago tomorrow. Child prodigies, anniversaries and even executive summaries are the common currency of classical music today. But there are several reasons why the story that is going to be told On An Overgrown Path over the next two days is important. The first is that the legendary figure was a woman who had a black father and white mother. The second is that she experienced the barriers to musicians of colour that still linger on today. And thirdly, despite her legendary status, until the second part of this feature appears tomorrow h...
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