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No comment from me about that extract from Overgrown Path's traffic logs. Except to say that if enlightened of Bromley had tried the correct spelling of Petroc Trelawny even more dreadful things would have been returned.

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Pliable said…
Can things get worse at the BBC? -

http://www.independent.co.uk/news/media/tv-radio/bbc-crisis-over-fake-sweatshop-scene-in-primark-documentary-2298764.html
4:15 pm
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Travels beyond TripAdvisor

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These photos were taken on my recent spirit quest in Morocco to the Sufi shrine of Sidi Chamharouch, which is seen above. A 75 minutes drive from Marrakech brought me to Imlil where the road ends and the mountains begin. The hamlet of Sidi Chamharouch - which is one of those blessed places which returns a blank in a Trip Advisor search - is at an altitude of 2350 metres and is reached by a tough and potentially dangerous two hour climb up a rocky path. Access is impossible for wheeled vehicles and supplies are brought in by the mules seen in my photos. Beyond Sidi Chamharouch is Jebel Toubkal, which at 4,167 metres is the highest mountain in North Africa. During my trek I was struck by the similarity between the High Atlas and Ladakh on the border of India and Tibet . Film director Martin Scorsese was also struck by the similarity. With Tibet a no-go zone he used this region for location shooting of his 1997 movie Kundun ; this depicts the Dalai Lama 's flight into exile fro...
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Why cats hate Mahler symphonies

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My recent post ' Your cat is a music therapist ' was well appreciated judging by site traffic. So here is a codicil which raises some interesting points about synaesthesia. Reportedly Alexander Scriabin, Jean Sibelius, Olivier Messiaen, György Ligeti and Franz Liszt were among the classical composers who experienced cross-over between sensory channels. The impact of narrowing sensory bandwidth as music moves from a live to a recorded environment, and then from analogue to lossy digital formats is little understood and little researched.But it may have important implications for classical music's attempts to reach a new audience, and, topically, it may be very relevant to the post-COVID experience of Zoom concerts and live music in socially distanced auditoriums . I will discuss how what we see influences what we hear in a forthcoming post. Meanwhile here is an extract from Akif Pirinçci and Rolf Degen ’s book Cat Sense which explains the synaesthetic impact of a Ma...
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The purpose of puffery and closed-mindedness

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My symphonies are sperm

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Classical music's biggest problem is that no one cares

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Wagner, Mahler and Shostakovich all sound like film music

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Audiences need permission to like unfamiliar music

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