On his new ECM album After the Last Sky oudist Anouar Brahem is joined by jazz multi-instrumentalist Django Bates and bassist Dave Holland . Plus, in a serendipitous link to that ultimate opposer of musician's indifference Pau Casals, long-time ECM maverick cellist Anja Lechner plays with Brahem for the first time, In his 1986 book After the Last Sky , Edward Said evoked Palestinian history in musical terms, as a "counterpoint (if not cacophony) of multiple, almost desperate dramas, with "no central image (exodus, holocaust, long march)... Without a center. Atonal". In a thoughtful booklet essay Adam Shatz explains that Brahem's " After the Last Sky is in no way a didactic work of art and still less an anthemic expression of protest" and goes on to point out that "Brahem is Tunisian, not Palestinian, but he is no stranger to the tragedy of the Palestinian people". Most tellingly Shatz recounts how we are all t...
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Please. Given some of the activities in the news recently of actual police, this comment goes beyond silly.
As I said in a recent comment, I have easy and inexpensive access to a wider variety of recorded, downloadable, streamable, and live classical music than ever before in my 40+ years as a listener.
I understand that you are deeply unhappy about some of the means and mechanisms, but the reality is as I've stated it.
And wouldn't it be wonderful if the music humour police could be persuaded to hibernate as well?