In Scott Fitzgerald's The Great Gatsby , one of the characters, Tom Buchanan, a rich man who's also a well-known polo player, says, "I've heard of making a garage out of a stable, but I'm the first man who ever made a stable out of a garage." Not to brag, but I'm doing the same thing. Whenever I find a quality LP recording of a piece I have on CD, I don't hesitiate to sell the CD and buy the LP. And when I find a better-quality recording, something closer to the original, I don't hesitate to trade in the old LP for a new one. It takes a lot of time to pursue this, not to mention a considerable investement of cash. Most people would, I am pretty sure, label me obsessed. The kindred spirit is Japanese novelist Haruki Murakami writing in his new memoir What I talk about when I talk about running . And talking of the same piece on LP and CD my photo shows three generations of a recording I couldn't possibly live without. The HMV LP of Sir John Bar...
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D.M. was one of the early professors at Mills college.
Have a look at the current M.C. site.
http://www.mills.edu/academics/faculty/mus/rmitchell/rmitchell.php
Who’s in charge of the D.M. chair? Roscoe Mitchell.
The most serious man from the jazz ensemble Art Ensemble of Chicago.
BT
Thanks for the Dave Brubeck post. Thought I'd forward you an excellent link/podcast re: Brubeck's earlier, more experimental trio and octet recordings that I learned of through Marc Meyer's fine "Jazz Wax" blog.
http://indianapublicmedia.org/nightlights/playland-beach-dave-brubecks-early-octet-trio/
http://www.jazzwax.com
TEMcC