They have no time for childishness

When the Europeans introduced electric lighting into newly occupied Tangier, a shaykh remarked: 'If these people were obliged to pray five times a day, they would have no time for childishness!' There is more in this observation than meets the eye.
That pithy observation comes from Titus Burckhardt's inspirational book Fez, City of Islam. Among the works performed in recent years at the Fez sacred music festival have been Jordi Savall's Jerusalem and Abed Azrié's Gospel of John. I took the photo above in Morocco, but not in Tangier or Fez; it is the souk in Essaouira at the time of jum'ah, the Friday midday prayer that is obligatory for all male adult Muslims. French gypsy musician Titi Robin, 'among us there are no castes', played at the 2010 Essaouira Gnawa festival to rave reviews. The adhān, the Islamic call to prayer, features in Serbian composer Aleksandra Vrebalov's ...hold me, neighbour, in this storm... on the Kronos Quatet's Floodplain CD which received a heads up in Is it me or the music? On the same disc is Israeli composer Betty Olivero's Neharót Neharót which I wrote about in ECM in focus and which is performed in by the Britten Sinfonia in today's (Aug 21) midday (shame it is not Friday) BBC Prom. Ney player Ercan Irmak performance of the tekbir, the Turkish call to prayer, received an honourable mention in Searching for the Sufi soul. And staying with Sufism in Avoid three kinds of master I wrote that Yusuf Islam (formerly Cat Stevens, who guested with Jimi Hendrix in Castles made of sand,) miraculously captures the mystery of Islam in his setting of the adhān on his Footsteps in the Light CD and went on to link Stockhausen to Sufism via trumpeter Markus Stockhausen (son of Karlheinz) who plays on Dhafer Youssef's genre-bending Electric Sufi album. You can also hear the adhān on another genre bending album, Mercan Dede's Seyahatname, which mixes Sufi sounds with dance beats and ambient electronic music. Titi Robin, Markus Stockhausen and others appear in my wide ranging Sounds of Sufism podcast which you can read about here and listen to here.

Now on Facebook and Twitter @overgrownpath. Photo is (c) On An Overgrown Path 2010. Titus Burckhardt's Fez, City of Islam (ISBN 0946621179) was bought at retail. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

Comments

Pliable said…
Email received via the Facebook version of this post

Paths collide: Dmitri Yanov-Yanovsky from Uzbekistan uses the call to prayer on tape in two works: Pressentiment and Awakening which is available on iTunes as an extra track on Kronos Floodplain. He also uses Sufi Parable in a work called Path of Parables I - Eamonn Quinn

http://www.facebook.com/overgrownpath
9:45 am
Post a Comment

Recent popular posts

Does it have integrity and relevance?

Image
Shortly after it was released I bought the young Finn  Klaus Mäkelä's new complete cycle of Sibelius symphonies recorded for Decca. Sibelius symphonies are very well represented in my large CD collection , in fact I have more Sibelius symphony cycles than for any other composer. Yet I have returned to Mäkelä's interpretations a surprising number of times. No, they will not replace the accounts of Sanderling , Colin Davis,  Barbirolli , and others. But they are not worse or better: because subjective dualist judgements of better or worse, like or dislike, good and bad, definitive or otherwise, etc etc no longer mean anything to me . There is no concrete reality in a music performance, only what we individually perceive as reality. A performance is an endless flow of constantly changing conditions. The score is not the performance, and the performance is not the score. Between score and performance lie an infinite number of overlapping variables - tempi, dynamics, performanc
Read more

The Berlin Philharmonic's darkest hour

Image
Wilhelm Furtwängler was born on 25th January 1886. He was Music Director of the Berlin Philharmonic from 1923 to his death in 1954, and held this position for the twelve years that Hitler was in power. In January 1945 he was conducting in Vienna, and fled from there to Switzerland where he remained until the Battle of Berlin ended in the defeat of the Nazis. The musicians of his orchestra remained in Berlin during its darkest hour. Here is their story: On 28th March 1945 the Russian forces commanded by Marshal Georgy Zhukov were just twenty miles to the east of Berlin. A month previously Albert Speer had been replaced as Nazi armaments minister after trying to persuade Hitler that defeat was inevitable. Speer now turned his energies to preventing the musicians of his adored Berlin Philharmonic from perishing in the inevitable final battle. Reich Commisioner Dr Joseph Goebells, who was in charge of the defence of Berlin, had ordered the entire orchestra to be drafted into the Vol
Read more

Why new audiences are deaf to classical music

Image
One important reason why classical music is failing to attract a new young audience is being ignored - today's much sought-after digital natives are fast becoming tomorrow's hearing loss natives. As the Clínic de Barcelona explains , until recently, hearing loss had always been related to age: the older you are, the worse your hearing is. This situation, however, has changed in recent years, as increasingly younger people are suffering from hearing loss. There are many reasons for this widespread hearing loss. There are now high levels of ambient noise - for instance the average daytime ambient noise  without PA announcements inside a US airport terminal is 66 decibels which approaches that of a a washing machine. Then there is the noise from the headphones, earbuds, etc used for long periods with digital devices. In addition the overlooked widespread  use of ototoxic drugs , including macrolide drugs and non-steroidal anti-inflammatory drugs (NSAIDs), contributes to hearin
Read more

Colin McPhee - East collides with West

Image
'It seems to me certain that future progress in creative music for composers of the Western world must inevitably go towards the exploration and integration of elements drawn from more than one of the world's cultures. ' This remarkably accurate prophecy was made by Henry Cowell in 1947, and was prompted by a radio broadcast of Colin McPhee's gamelan inspired Tabuh-Tabuhan which had received its first performance eleven years earlier. Carol J. Oja's exemplary biography (jacket below) describes Colin McPhee as a 'composer of two worlds'. He was born in Toronto in 1900, and established a dual career of pianist and composer at an early age. He started his studies at the Peabody Conservatory in 1918, and spent two years studying in Paris before settling in New York in 1926. He quickly established himself as a one of a new generation of American composers, and his music was presented at a concert of Edgard Varèse's International Composer's Guild. At
Read more

Closer to Vaughan Williams than Phil Spector

Image
This year's BBC Proms season includes ' Nick Drake - An Orchestral Celebration ' with Jules Buckley and the BBC Symphony Orchestra. That is Nick in the photo above; on the night in 1974 he died at the tragically young age of 26 a disc of the Brandenburg Concertos was on the record player in his room , and Black Eyed Dog , one of the last tracks he recorded before he died, has striking similarities to the Preludio of Bach's Lute Suite in E Major. But there is also an important and little-known contemporary connection between Nick Drake and the world of classical music. While at Cambridge University Nick met and worked with fellow student Robert Kirby. When Nick recorded his first album Five Leaves Left he chose Robert Kirby to arrange and conduct the backing for the majority of the tracks using strings, brass and woodwind. It is widely acknowledged that these arrangements were a major contribution to the success of the album and also to Nick's next LP Bryter Late
Read more

Vonnegut gets his Dresden facts wrong

Image
In 1968, the year I wrote Slaughterhouse Five, I finally became grown up enough to write about the bombing of Dresden. It was the largest massacre in European history. I, of course, know about Auschwitz, but a massacre is something that happens suddenly, the killing of a whole lot of people in a very short time. In Dresden, on February 13, 1945, about 135,000 people were killed by British firebombing in one night. It was pure nonsense, pointless destruction. The whole city was burned down, and it was a British atrocity, not ours. They sent in night bombers, and they came in and set the whole town on fire with a new kind of incendiary bomb. And so everything organic, except my little PoW group, was consumed by fire. It was a military experiment to find out if you could burn down a whole city by scattering incendiaries over it. Kurt Vonnegut's 1968 novel Slaughter-house Five is an essential part of the literature of the bombing of Dresden. In his new book A Man Without a Country: A
Read more

Your cat is a music therapist

Image
A recent post told how a cat crossed my path at the Sufi shrine of Nizamuddin Auliya in Delhi. Cats are cherished in Islam , and in response to my post a friend who is an adept of the Naqshbandi Sufi Order sent me a link to an article on a Sufi resource . This is about the healing power of cats, and I thought it worth sharing an edited and annotated extract with my readers. The article can be read at two levels. At one level it can be taken as an amusing mix of fuzzy science and New Age babble, as indeed can this whole and many other Overgrown Paths . But drilling down further reveals another level. The power of music to nourish and heal the human spirit and body has been conveniently forgotten in the headlong rush to turn classical music into just another tawdry entertainment . Classical music is not about snackable access , celebrity maestros , live tweeting , self-promotion , free streaming , and all those other big new idea . It is about only one thing - sound. Ancient wisdom te
Read more

Nada Brahma - Sound is God

Image
It may be my age, but those moments when a piece of music really hits me in the solar plexus seem to get rarer and rarer. But during my recent extended travels in India I was metaphorically punched time and time again when listening to ECM's Codona recordings on headphones. Recent posts have touched on the potential of virtual concert halls and the fact that no one mixes for speakers these days , and the Manfred Eicher produced Codona sessions from between 1978 and 1982 really demonstrate the impact of the up close and personal sound of headphones . The line up for Codona was African-American trumpeter Don Cherry, Brazilian percussionist Nana Vasconcelos, and Colin Walcott on sitar, tabla, hammered dulcimer, sanza, timpani, and voice. The band took its name from a circus trapeze act of the early 20th century called the Flying Codonas , and the three albums packaged by ECM for CD as The Codona Trilogy capture the peerless musicians-beyond-frontiers performing their creative hig
Read more

David Munrow - more than early music

Image
'David Munrow and the Early Music Consort of London transformed our view of medieval music. The impact of their performances far surparssed any that had gone before: by demonstrating how medieval music could sound normal, they created a niche for it in the concert hall and on record that it has never lost' ~ From Daniel Leech-Wilkinson's notes for Music of the Gothic era May 15 2007 is the thirty-first anniversary of the death of David Munrow. His contribution to the acceptance, understanding and performance of early music almost defies summary. He was born in 1942, and learnt the bassoon and recorder as a child. Between school and university he travelled and taught in South America , and started the collection of ethnic instruments that were to give him, and the world, a new perspective on early music making. He read English at Pembroke College , Cambridge, and was encouraged by Thurston Dart to take an active role in the music-making of that most musical of cities.
Read more

Is classical music obsessed by existential angst?

Image
So I asked Elliott Carter "What if you don't feel existential angst? What if you want to write music that expresses joy or some other kind of emotion?" And he goes "Jeff, if you do that you'll never have a career in music." I find that electronic music has a real problem to it, because, at this point, there is no good way to get across the kind of energy and vitality that the performer brings to acoustic music. It has been a kind of meme of mine that the problem of classical music is that there just isn't enough bass, there isn't enough visceral quality to it. When the oil spill hit we decided that enough is enough. I am a little concerned about how America is being controlled by the corporations... We had always flirted with the idea of moving to France, we has been trying to do it since Reagan was elected in fact, and we just decided to do it. That is composer and new technology guru Jeff Harrington talking on the Chance Music programm
Read more